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ŒŸõŒ‹‰Ê 1983 Œ [ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 ] [XV]


ƒy[ƒW 3 (101`150)

No. ¤•i–¼ ’P‰¿(‰~) ’˜ŽÒ/•ÒŽÒ o”ÅŽÐ à–¾ ‚©‚²‚Ö
N_P_001 ƒqƒ}ƒ‰ƒ„‚ÌŽ›‰@@ƒlƒp[ƒ‹E–kƒCƒ“ƒhE’†‘‚̏@‹³Œš’z 3,200 ²“¡³•F/’˜ Ž­“‡o”Å‰ï ƒJƒo[@¬Œû­‰˜‚ê@2012 w“ü
N_P_002 Žá‹·‚̌Λ”üp 2,500 ‘q“c•¶ì/ŠÄC Ž„‰Æ”Å “ñd”Ÿ@—A‘—”ŸƒCƒ^ƒ~@“à”Ÿ­ƒVƒ~@ƒn[ƒhƒJƒo[@ŽO•û­ƒVƒ~@1983 w“ü
N_P_003 ’´‚‘w‘啧‚ð‚‚­‚é 3,000 ‰i“c—Ç•v/•Ò’˜ Ž­“‡o”Å‰ï ƒJƒo[@‘с@“VE¬Œû”–ƒVƒ~@1994 w“ü
N_Q_001 ƒRƒ“ƒeƒ“ƒ|ƒ‰ƒŠ[@ƒWƒ…ƒGƒŠ[@¢ŠE‚̃Wƒ…ƒGƒŠ[ƒA[ƒeƒBƒXƒg@ã‰º2ûƒZƒbƒg 2,500 …–ìF•F/’˜ ”üpo”ÅŽÐ 2û‹¤ƒJƒo[@2007 w“ü
N_Q_002 ƒrƒ‹ƒhƒAƒbƒvEƒeƒNƒjƒbƒN–@‚É‚æ‚郍ƒXƒgƒƒbƒNƒXEƒWƒ…ƒGƒŠ[ƒ[ƒLƒ“ƒO 2,200 ƒ~ƒmƒ‹ƒAƒUƒ}/’˜ ”‘“X¼Œ´ ƒJƒo[­ƒ„ƒP@1999 w“ü
N_Q_003 ‰pjƒWƒƒƒ“EƒoƒeƒBƒXƒ^Eƒ”ƒ@ƒŠyGiAM BATTiSTA VALLiz 5,000 @ Rizzoli ƒn[ƒhƒJƒo[@2013 w“ü
N_U_001 ‰iˆäGO“W 2,400 ‰iˆä‹/Œ´’˜ ‘åã•¶‰»ŠÙE“V•ÛŽRAã–ì‚̐X”üpŠÙ ‰æ‹Æ50”Nh“Ë”jh‹L”O@ƒ\ƒtƒgƒJƒo[@2018 w“ü
N_U_002 “®•¨‚Í‚Ý‚ñ‚Ȑ搶 3,300 •ˆä•—Y/‰æ ’†‰›Œö˜_ŽÐ ”Ÿ­ƒ„ƒPA­‰˜‚ê@ƒn[ƒhƒJƒo[@1962 w“ü
A_001 ‚­‚·‚蔎•¨ŠÙŽû‘ @Ž‘—¿W4@‚Í‚â‚è•a‚Ì‹ÑŠG 2,500 ˆÉ“¡‹±Žq/•Ò “à“¡‹L”O‚­‚·‚蔎•¨ŠÙ ƒ\ƒtƒgƒJƒo[@}”Å111“_@2001 w“ü
A_002 ƒjƒbƒ|ƒ“‚̉æ‹S@à́X‹¶Ö“` 2,800 •Ÿ•x‘¾˜Y ‰æ•¶“° ƒ\ƒtƒgƒJƒo[@•\Ž†”–ƒ„ƒPA­‰˜A”wã•”­ƒCƒ^ƒ~@•Êüu}”ʼnðà@’ÇŽ§‚Æ•â’ùv•t@ŒÀ’è800•”‚Ì“à1”ԁ@1969 w“ü
A_003 ƒsƒG[ƒ‹EƒZƒ‹ƒl•t‰æ“W 1,500 @ ƒVƒƒƒlƒ‹ƒlƒNƒTƒXƒz[ƒ‹ ”Ÿ@ƒn[ƒhƒJƒo[@2019 w“ü
A_004 ˆÉjƒWƒFƒmƒ”ƒ@EƒLƒˆƒbƒ\[ƒl”Ž•¨ŠÙ@•‚¢ŠG”ʼnæ@yDipinti e stampe del Mondo Fluttuante
Capolavori Ukiyoe del Museo Chiossone di Genovaz
2,000 Donatella Failla SKIRA ƒJƒo[@ƒn[ƒhƒJƒo[256•Å@•\Ž†ŠpƒAƒ^ƒŠ@2005 w“ü
A_005 ˆÉj‘–F‰æW@yKUNIYOSHI Il visionario del Mondo Fluttuantez 5,000 @ SKIRA ƒn[ƒhƒJƒo[215•Å@2017 w“ü
A_006 ‰Yã‹Ê“°‰æ•ˆ@‘æ1SE‘æ2SE‘æ3S@‘S3›ã@i}”Å•s‘µj 25,000 @ ’†‰›Œö˜_”üpo”Å ‘SS›ãƒVƒ~@‘æ1S14`19A21`52A79`91}Œ‡@‘æ3S214`216A218`226}Œ‡@ŠeS1}–ڂɃVƒ~A”–‡‘䎆‚ɏ­ƒVƒ~—L@•Êûi–}—áEì•i–ÚŽŸEˆó•ˆEŽQlŽ‘—¿E”N•ˆj1û•t@1979 w“ü
A_007 ‰Yã‹Ê“°‰æ•ˆ@‘æ1SE‘æ2SE‘æ3S@‘S3›ã@}”Å‘µ 85,000 @ ’†‰›Œö˜_”üpo”Å ‘S}”Å‘µ@‘SS—A‘—”Ÿ‚ƛ㏭ƒVƒ~@•Êûi–}—áEì•i–ÚŽŸEˆó•ˆEŽQlŽ‘—¿E”N•ˆj1û•t@1979 w“ü
A_008 ‰pj_âá‰À@yKAMISAKA SEKKAz 4,300 Khanh Trinh/•Ò ART GALLERY of New South Wales ƒJƒo[@ƒn[ƒhƒJƒo[192•Å@2012 w“ü
A_009 ‰pj–F”N@”ül‰æ‚ƃoƒCƒIƒŒƒ“ƒX@yBeauty & Violence Japanese prints by Yoshitoshi 1839-1892z 5,000 @ Society for Japanese Arts ƒ\ƒtƒgƒJƒo[168•Å@•\Ž†­ƒCƒ^ƒ~@–{‘ÌŠp­”½‚è@ÅI•Å‚É‘ ˆó—L‚è@1992 w“ü
A_010 ‰pj–LŒ´‘ŽüyTime present and time past Images of a forgotten master Toyohara Kunichika 1835-1900z 19,000 @ Hotei Publishing ƒJƒo[@175•Å@1999 w“ü
A_011 ‰pj–kÖ‚ÌŠG‰æyHokusai Paintings Selected Essaysz 4,900 @ University of VENICE ƒJƒo[”w­ƒ„ƒPA­ƒCƒ^ƒ~@ŽO•û­ƒ„ƒPA’n­ƒVƒ~@1994 w“ü
A_012 ‰pj–{ˆ¢–íŒõ‰x‚ÌŒ|pyTHE ARTS OF HON'AMI KOETSUz 3,200 @ PHILADELPHIA MUSEUM OF ART ƒJƒo[‚ɏ­ƒˆƒŒA­ƒCƒ^ƒ~A•”•ª“I‚Ƀ„ƒP@‘OŒ©•Ô‚µ‚ɐ܂êÕ—L‚è@2000 w“ü
A_013 ‰~ŽR‰ž‹“˜_ 4,000 —âòˆ×l/’˜ Žv•¶Što”Å ”Ÿ@ƒJƒo[@•Êû•˜^•t‚«@2017 w“ü
A_014 ‰¢•ÄŽû‘ “ú–{ŠG‰æW¬@ÝŠO”é•ó@•§‹³ŠG‰æE‘å˜aŠGE…–n‰æ 5,000 “‡“cCŽO˜Y/•Ò ŠwKŒ¤‹†ŽÐ —A‘—”Ÿ­ƒXƒŒAƒCƒ^ƒ~—L@›ã“ü@’艿36000‰~@1969 w“ü
A_015 Šâ²–”•º‰qŠGŠª@ŽR’†í”Õ•¨ŒêŠGŠª/–x]•¨ŒêŠGŠª/ò—Ú—ž•¨ŒêŠGŠª 2,500 MOA”üpŠÙ/•Ò ƒGƒ€ƒI[ƒG[¤Ž– ƒJƒo[@º61 w“ü
A_016 ‹ÉŠyŠG 16,000 ‹àŽqŒjŽO/ŽÊ^@^•Û‹œ/ŠÄCE•¶ –ˆ“úV•·ŽÐ “ñd”Ÿ@ŒÀ’è1200•”@’艿5–œ‰~@ŠO”Ÿ‚ɃCƒ^ƒ~@1977 w“ü
A_017 ‹ß]‚̏á•Ç‰æ 2,900 ÎŠÛ³‰^Aˆé”Ž/’˜ ‹ž“s‘‰@ “ñd” @’艿48000‰~@º56 w“ü
A_018 ‹ß¢•—‘­}•ˆ1@”N’†sŽ– 3,000 —щ®’CŽO˜Y ¬ŠwŠÙ “ñd”Ÿ@–{‘ÌŽO•û­ƒ„ƒP@ŒŽ•ñ•t@’艿18000‰~@1983 w“ü
A_019 ‹ß¢•—‘­}•ˆ12@El 0 —щ®’CŽO˜Y ¬ŠwŠÙ y”„Ø‚êz“ñd”Ÿ@–{‘ÌŽO•û­ƒ„ƒP@ŒŽ•ñ•t@’艿18000‰~@1983 w“ü
A_020 ‹ß¢•—‘­}•ˆ3@—Œ’†—ŒŠOi1j 3,200 —щ®’CŽO˜Y ¬ŠwŠÙ “ñd”Ÿ@–{‘ÌŽO•û­ƒ„ƒP@ŒŽ•ñ•t@’艿18000‰~@1983 w“ü
A_021 ŒŒ‚̔ӎ`@‘å‘h–F”N‚ÌåYp 17,000 @ ”Ô’¬‘–[ —A‘—”Ÿ‰˜‚ê@”Ÿƒ„ƒP@›ã@•Êû•t@’艿30000‰~@ŒÀ’è1200•”@1971 w“ü
A_022 ŒŽ‰ª–F”N‰æW 16,000 £–ؐTˆê/•Ò u’kŽÐ ”ŸƒCƒ^ƒ~A”wƒ„ƒP@}”Å203“_@143•Å@1978 w“ü
A_023 ŒÃ•MŽèŠÓ‚Ɖ撟‚Ì–¼•i@‹ß¢“ú–{‚̃A[ƒgEƒAƒ‹ƒoƒ€ 1,800 @ ƒTƒ“ƒgƒŠ[”üpŠÙ }˜^@ƒ\ƒtƒgƒJƒo[@2001 w“ü
A_024 Œä‰¾‘ŽqŠGŠª 9,000 ‰œ•½‰p—Y/•Ò Špì‘“X ”Ÿ@ƒJƒo[ŽC‚ê@ŒÀ’è”Ł@’艿24000‰~@1982 w“ü
A_025 Œä•¨ãڐ¬@‘S4Šª‘µ 10,000 ‹{“à’¡Ž˜]E/•Ò ’©“úV•·ŽÐ “ñd”Ÿ@”à•Å‚ɏ­¯ƒVƒ~@ŠG‰æ1EŠG‰æ2E‘Õ1E‘Õ2@ŠeŠª•Êû‰ðà•t‚«@1978 w“ü
A_026 Œõ‰x 9,000 —щ®’CŽO˜Y/’˜ ‘æˆê–@‹Ko”Å ”ŸŒo”N‚̃„ƒPAƒVƒ~A­ƒLƒY@–{‘Ì”wƒ„ƒP@1972 w“ü
A_027 Œõ—Ô•S}@‘S4û‘µ 4,500 ’†‘ºŒk’j/‰ðà Šâè”üpŽÐ ŠO”ŸŒ‡@˜a–{4û›ã“ü@‰ðà–{•t@@1981 w“ü
A_028 ]ŒË‚ÌŠG‰æ@A Kaleidoscope of Painting Styles
Essays on Edo Period Paintings
23,000 ¬—Ñ’‰/’˜ åY‰Ø‘‰@ ”Ÿ­‰˜@ƒJƒ‰[}”Å103“_@ŽQl}”Å203“_@584•Å@2010 w“ü
A_029 ]ŒË‚ÌŠGŽtu•é‚炵‚Ɖ҂¬v 1,500 ˆÀ‘º•qM/’˜ ¬ŠwŠÙ ƒJƒo[@ÅI•ÅÜ‚êÕ—L@2008 w“ü
A_030 ]ŒË‚ÌŠG—ï 3,200 ‰ª“c–F˜N ‘åCŠÙ‘“X ƒJƒo[@‘с@2006 w“ü
A_031 ]ŒË‚Ì—m‰æ‰Æ 2,600 ¬–ì’‰d/’˜ ŽOÊŽÐ ”Ÿ­ƒ„ƒP@ŽO•û­ƒ„ƒP@ŒÀ’è1000•”@1968 w“ü
A_032 ]ŒËØŠG}W¬‘æ1Šª@‹g•¶Žš‰®”@V•Ò]ŒËˆÀŒ©} 2,500 Ä“¡’¼¬/•Ò ’†‰›Œö˜_ŽÐ ”Ÿ­ƒCƒ^ƒ~@1981 w“ü
A_033 ‘‰Ø@‘æ31† 1,800 @ š ‰ØŽÐ –ؔœü@B4”Ł@–¾25 w“ü
A_034 ‘‰Ø@‘æ37† 1,800 @ š ‰ØŽÐ –ؔœü@•\Ž†‰­ƒCƒ^ƒ~@B4”Ł@–¾25 w“ü
A_035 ‘‰Ø@‘æ38† 1,800 @ š ‰ØŽÐ –ؔœü@B4”Ł@–¾25 w“ü
A_036 ‘‰Ø@‘æ39† 1,800 @ š ‰ØŽÐ –ؔœü@B4”Ł@–¾25 w“ü
A_037 ‘‰Ø@‘æ40† 1,800 @ š ‰ØŽÐ –ؔœü@•\Ž†‰­ƒCƒ^ƒ~@”wƒCƒ^ƒ~@B4”Ł@–¾26 w“ü
A_038 ‘‰Ø@‘æ43† 1,800 @ š ‰ØŽÐ –ؔœü@— •\Ž†­ƒCƒ^ƒ~iØ‚êj@B4”Ł@–¾26 w“ü
A_039 ‘‰Ø@‘æ44† 1,800 @ š ‰ØŽÐ –ؔœü@B4”Ł@–¾26 w“ü
A_040 ‘‰Ø@‘æ45† 1,800 @ š ‰ØŽÐ –ؔœü@B4”Ł@–¾26 w“ü
A_041 ‘‰Ø@‘æ46† 1,800 @ š ‰ØŽÐ –ؔœü@B4”Ł@–¾26 w“ü
A_042 ‘‰Ø@‘æ49† 1,800 @ š ‰ØŽÐ –ؔœü@’Ô‚¶•RŒ‡@B4”Ł@–¾26 w“ü

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[‘O‚̉æ–Ê] [‚©‚²‚Ì’†‚ðŒ©‚é/‚²’•¶‚Ö] [ƒz[ƒ€ƒy[ƒW‚Ö–ß‚é]
ŒŸõŒ‹‰Ê 1983 Œ [ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 ] [XV]

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