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ŒŸõŒ‹‰Ê 1883 Œ [ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 ] [XV]


ƒy[ƒW 30 (1451`1500)

No. ¤•i–¼ ’P‰¿(‰~) ’˜ŽÒ/•ÒŽÒ o”ÅŽÐ à–¾ ‚©‚²‚Ö
M_132 ‰pjƒzƒ‹ƒXƒgŽÊ^W@ƒtƒHƒ‹ƒ€@yFORMz 5,000 HORST twelvetrees press ƒJƒo[•\–ʏ­ƒCƒ^ƒ~@1992 w“ü
M_133 ‰pjƒ}[ƒNEƒŒƒ_[ŽÊ^W@yMallorca-Island in Progressz 1,800 Mark Rader Nazraeli Press ƒJƒo[@2007 w“ü
M_134 ‰pjƒ}ƒCƒPƒ‹EƒhƒEƒFƒbƒNŽÊ^W@yTHE END
MONTAUK, N.Y.z
28,000 MICHAEL DWECK Ditch Plains Press ƒJƒo[@‘с@ƒn[ƒhƒJƒo[@ƒTƒCƒ““ü‚è@2015 w“ü
M_135 ‰pjƒ}ƒCƒPƒ‹Eƒ}[ƒgƒ“ŽÊ^W@ƒ_[ƒNEƒ‰ƒCƒgyDark Lightz 2,300 Michael Martone Lustrum Press ƒ\ƒtƒgƒJƒo[@•\Ž†­ƒ„ƒP­ƒVƒ~@”w‰º•”ƒCƒ^ƒ~@“VE¬Œû­ƒ„ƒP­‰˜@1973 w“ü
M_136 ‰pjƒ}ƒbƒgEƒ}ƒnƒŠƒ“ŽÊ^WyMATT MAHURIN PHOTOGRAPHSz 5,000 @ TWELVETREE PRESS ƒJƒo[”w”–ƒ„ƒP@ŽO•û”–ƒ„ƒP@1989 w“ü
M_137 ‰pjƒ}ƒŠ[EƒGƒŒƒ“Eƒ}[ƒNŽÊ^W@ƒ{ƒ“ƒxƒC‚̏©•w‚½‚¿ 5,000 MARY ELLEN MARK ALFRED A. KNOPF ƒ\ƒtƒgƒJƒo[@1981 w“ü
M_138 ‰pjƒ‰ƒŠ[Eƒ^ƒEƒFƒ‹ŽÊ^W@ƒƒmƒiƒCƒcyThe Mennonitesz 7,800 Larry Towell PHAIDON ”Ÿ@ƒn[ƒhƒJƒo[@2000 w“ü
M_139 ‰pjƒŠ[EƒtƒŠ[ƒhƒ‰ƒ“ƒ_[ŽÊ^W@yLEE FRIEDLANDER PHOTOGRAPHSz 0 @ Haywire Press y”„Ø‚êzƒn[ƒhƒJƒo[@•\Ž†EŽO•ûE–{•¶—]”’‚ɃVƒ~—L‚é‚à}”łɉe‹¿–³‚µ@1978 w“ü
M_140 ‰pjƒ‹ƒlEƒuƒŠŽÊ^W@77‚ÌŠï–­‚ÈŠ´Šo@y77 STRANGE SENSATIONz 5,000 RENE BURRI EDITION DINO SIMONETT ƒn[ƒhƒJƒo[@1998 w“ü
M_141 ‰pjƒƒCEƒfƒBƒJƒ‰ƒ”ƒ@ŽÊ^WyRoy De Carava
A RETROSPECTIVEz
6,500 @ MoMA NY ƒJƒo[@“VE¬Œû­ƒVƒ~@’nƒVƒ~@1996 w“ü
M_142 ‰pjƒ[EƒAƒXƒŠƒbƒWŽÊ^W@ƒTƒNƒŠƒtƒ@ƒCƒX@ƒ†ƒA@ƒ{ƒfƒB@ySacrifice your bodyz 3,900 Roe Ethridge MACK ƒn[ƒhƒJƒo[@2014 w“ü
M_143 ‰pjƒƒo[ƒgEƒAƒ_ƒ€ƒXŽÊ^W@yInteriors 1973-1974z 8,000 Robert Adams Nazraeli Press ”Ÿ@24—t“ü@2006 w“ü
M_144 ‰pjƒƒo[ƒgEƒAƒ_ƒ€ƒXŽÊ^W@ƒXƒeƒBƒ‹Eƒ‰ƒCƒ”ƒX@yRobert Adams
Still Livesz
4,000 @ Nazraeli Press ƒJƒo[@2006 w“ü
M_145 ‰pjƒƒo[ƒgEƒƒCƒvƒ‹ƒ\[ƒvŽÊ^W@ƒ|ƒ‰ƒƒCƒhyPolaroidsz 4,800 Sylvia Wolf PRESTEL ƒn[ƒhƒJƒo[254•Å@“V’n­ƒ„ƒP@2007 w“ü
M_146 ‰p)ƒƒ“EƒIƒŠƒ”ƒ@[ŽÊ^W@Œ©“n‚·ŒÀ‚è@yAS FAR AS THE EYE CAN SEEz 32,000 RON OLIVER ICONOGRAPHY2 ƒJƒo[ã•”ƒ„ƒP@“V­ƒ„ƒPA­ƒVƒ~@Œ©•Ô‚µƒVƒ~@1994 w“ü
M_147 ‰pjˆÀŠyŽ›‚¦‚ݎʐ^W@yANRAKUJIz 1,500 Emi Anrakuji Nazraeli Press ƒJƒo[@2006 w“ü
M_148 ‰pj‹{–{—²ŽiŽÊ^W@yRYUJI MIYAMOTOz 6,800 Ryuji Miyamoto STEIDL ƒJƒo[@1999 w“ü
M_149 ‰pj“n•ÓŽ–¤ŽÊ^W@‰Ì•‘Šê’¬yGANGS OF KABUKICHOz 13,000 WATANABE KATSUMI PPP Editions ƒrƒj[ƒ‹ƒJƒo[@2006 w“ü
M_150 ‰pj“ú”ä—VˆêŽÊ^W@Å‰‚̎莆yFirst letter, 1988 from New York to Japanz 4,500 @ Nazraeli Press ƒJƒo[@ƒn[ƒhƒJƒo[@2005 w“ü
M_151 ‰pj•ŸŒ´MŽO‚ƘH‘yShinzo and Roso Fukuhara Photographys by Ginza Modern Boys 1913-1941z 3,000 Noriko Fuku SEPIA ƒ\ƒtƒgƒJƒo[72•Å@2000 w“ü
M_152 ‰p“ƁjPEƒeƒBƒŒƒbƒZƒ“ŽÊ^W@ƒS[ƒ‹ƒhyGOLDz 2,500 Peter Tillessen Lars Muller Publishers ƒn[ƒhƒJƒo[@2000 w“ü
M_153 ‰p“Ɓjƒgƒ}ƒXƒ‹ƒtŽÊ^W1979-2009yTHOMAS RUFF Surfaces, Depths/Oberflachen, Tiefenz 6,800 @ Kunsthalle Wien/Verlagfur moderne Kunst Nurnberg ƒn[ƒhƒJƒo[@2009 w“ü
M_154 ‰p—–jƒfƒVƒŠ[Eƒhƒ‹ƒƒ“ŽÊ^W@yDESIREE DOLRONz 9,800 @ TERRA ƒJƒo[­ƒXƒŒA­ƒCƒ^ƒ~@’Ô‚¶­‚ä‚é‚݁@2005 w“ü
M_155 ‰œŽR—R”VŽÊ^W@As the Call, So the Echo 0 ‰œŽR—R”V ÔXŽÉ y”„Ø‚êzƒn[ƒhƒJƒo[@ƒNƒƒX‘•@•Êü•t@2017 w“ü
M_156 ‰ª‘ºº•F@•ñ“¹ŽÊ^W 1,600 ‰ª‘ºt•F/ŠÄC u’kŽÐ ‘уJƒo[‹¤‚É”w­ƒ„ƒP@1986 w“ü
M_157 ‰ª–{‘¾˜YŽÊ^W@‰ª–{‘¾˜Y‚̉«“ê 5,600 ‰ª–{‘¾˜Y/’˜ NHKo”Å ƒJƒo[@‘с@2000 w“ü
M_158 ‰Ô‚ª“¦‚°‚é@w“y–匝‚ª•`‚¢‚½‰Ô¸x 2,900 @ ƒvƒƒWƒFEƒ_[ƒ‹ — •\Ž†ƒ„ƒP@ƒŠƒ“ƒO’Ô‚¶@}”Å102“_@1991 w“ü
M_159 ‰Ô·—F—¢ŽÊ^W@Q‹N‚«—Žq 900 ‰Ô·—F—¢ ƒƒjƒuƒbƒNƒX ƒJƒo[@‘с@2018 w“ü
M_160 Š|ìŒ¹ˆê˜YŽÊ^W@‘å’n‚ɐ¶‚«‚é–kŠC“¹‚̉«“ꑺ 9,000 Š|ìŒ¹ˆê˜Y/’˜ ‘æˆê–@‹K ƒJƒo[@ŽO•û­ƒ„ƒP@1980 w“ü
M_161 ŠˆäÆ‰AŽÊ^W@ƒ_ƒCƒ”EƒgƒDEƒoƒ“ƒOƒ‰ƒfƒBƒVƒ…@DIVE TO BANGLADESH 1,900 @ ƒŠƒgƒ‹ƒ‚ƒA ƒ\ƒtƒgƒJƒo[@ƒJƒo[@‘с@2019 w“ü
M_162 Š™êŒ 160,000 ×]‰pŒö/ŽÊ^@“y•û’F/•‘“¥ Œ»‘ãŽv‘zŽÐ ŠO”Ÿ‚ɏ­ƒ„ƒPA­ƒVƒ~A­ƒCƒ^ƒ~@–{‘̃vƒ‰ƒJƒo[‚É—ô‚¯@–{‘Ì”w‚ɏ­ƒVƒ~@–{‘̈ꕔ’Ô‚¶ž‚Ý•Å‚Ì’[‚ɐ܂êÕ—L‚è@‰”Ł@ƒXƒŠƒbƒvƒP[ƒXó‘ԗǍD@1969 w“ü
M_163 Š¥¼ŽŸ˜Y‚ƕ䊡ŽOŽõ—Y@••”‚Æ‘„ 2,900 @ “Œ‹ž“sŽÊ^”üpŠÙ ƒ\ƒtƒgƒJƒo[@2014 w“ü
M_164 Šâ‹´’ŽŠŽÊ^W ”’“ªŽR 3,000 @ SBB “ñd”Ÿ@’艿10–œ‰~@‰¡’·‘å”»@“ú–{Œê‰ðà•t‚«@1993 w“ü
M_165 ‹GŠ§@ƒNƒ‰ƒVƒbƒNƒJƒƒ‰@‘S18û‘µ 14,000 “c’†’·“¿@‘¼ ‘o—tŽÐ 1-18Šª‘µ@1Šª•\Ž†­Ü‚êÕ—L@2003 w“ü
M_166 ‹GŠ§@ŽÊ^ƒ[ƒNƒVƒ‡ƒbƒv No.7@“ÁWF—«ŽÊ^ 12,000 Ó”C•ÒWFr–ØŒoˆÒ ŽÊ^ƒ[ƒNƒVƒ‡ƒbƒv•ÒWŽº ƒ\ƒtƒgƒJƒo[72•Å@— •\Ž†‰º•”‚ÉŒ‡‘¹‰ÓŠ‚ ‚è@1976 w“ü
M_167 ‹GŠ§ŽÊ^ŽwƒfƒWƒƒƒ”ƒ…x14†@“ÁWwƒvƒƒ”ƒH[ƒNx‚ÌŽž‘ã 5,800 @ ƒtƒHƒgƒvƒ‰ƒlƒbƒg ƒ\ƒtƒgƒJƒo[@— •\Ž†‚킸‚©‚Ƀ„ƒP@1993 w“ü
M_168 ‹OÕ@‘å‘©Œ³‚̐¢ŠE 3,900 ŠM•—ŽÉ/•Ò •½–}ŽÐ ƒJƒo[@‘с@1996 w“ü
M_169 ‹SŠCO—YŽÊ^W@“Œ‹ž–À˜H 5,800 ‹SŠCO—Y ¬ŠwŠÙ “›ƒP[ƒX“ü@1999 w“ü
M_170 ‹g‘º˜a•qŽÊ^W@Du CANADA[ƒfƒ…@ƒJƒiƒ_] 2,500 ‹g‘º˜a•q “úŒoƒiƒVƒ‡ƒiƒ‹ƒWƒIƒOƒ‰ƒtƒBƒbƒN ƒJƒo[@‘с@2019 w“ü
M_171 ‹g“c—ºlŽÊ^W@The Absence of Two 3,300 ‹g“c—ºl ÂŒ¶ŽÉ ‘с@2018 w“ü
M_172 ‹v‰Æ–õGŽÊ^W@‰–ƒm‰Ô/ŽO‘ 3,800 ‹v‰Æ–õG KOKUYO Anƒm[ƒgƒuƒbƒNƒVƒŠ[ƒY@2ûƒZƒbƒg@‘шꕔƒLƒŒA­‰˜@2005 w“ü
M_173 ‹{è‚¢‚¸”üŽÊ^W@Ž„‚ÆŽ„@Me and Me 1,900 ‹{è‚¢‚¸”ü ÂŒ¶ŽÉ ƒJƒo[@‘с@ƒ\ƒtƒgƒJƒo[@2018 w“ü
M_174 ‹{–{—²ŽiŽÊ^W@CARDBOARD HOUSES 5,000 @ BEARLIN ƒJƒo[@2003 w“ü
M_175 ‹{–{—²ŽiŽÊ^W@ƒAƒ“ƒR[ƒ‹ 1,800 @ ƒgƒŒƒ”ƒBƒ‹ ƒJƒo[@1994 w“ü
M_176 ‹{–{—²ŽiŽÊ^W@‹ã—´éÔ 4,900 @ •½–}ŽÐ ƒJƒo[— ­ƒCƒ^ƒ~@1997 w“ü
M_177 ‹Ž”‚ӏ¬ŠwZ 38,000 •Ÿ“cŸŽ¡ ŒºŒõŽÐ@ ”ŸEƒJƒo[­ƒ„ƒuƒŒA“úÄ‚¯@109•Å@“VE’nE¬Œû­ƒVƒ~ 1941 w“ü
M_178 ‹à‘ºCŽÊ^W I CAN TELL 8,500 ‹à‘ºC –F‰ê‘“X ‘Ñ•t@‘æ19‰ñ“y–匝Ü@2001 w“ü
M_179 ‹à‘ºCŽÊ^W@ƒXƒpƒCƒ_[ƒYEƒXƒgƒ‰ƒeƒW[ 12,000 @ ƒIƒVƒŠƒX ƒJƒo[@‘я­Ü‚ê@2001 w“ü
M_180 ‹âÀ 7,000 •Ÿ“cŸŽ¡/ŽÊ^@X“c‚½‚Ü/•M ŒºŒõŽÐ ‰”Ł@”Ÿ‹y‚уJƒo[Œ‡@–{‘̃Vƒ~‘½‚µ@— •\Ž†‰¿Ši•\Ž¦ˆó—L@”wƒ„ƒP@º16 w“ü
M_181 ‹ó’†ŽÊ^‚Ɉ₳‚ꂽº˜a‚Ì“ú–{<¼“ú–{•Ò>@íÐ‚©‚ç•œ‹»‚Ö 4,800 “ú–{’n}ƒZƒ“ƒ^[/•Ò ‘nŒ³ŽÐ ƒJƒo[@‘с@ƒn[ƒhƒJƒo[167•Å@’艿8000‰~iÅ”²j@2018 w“ü

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