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ŒŸõŒ‹‰Ê 1691 Œ [ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 ] [XV]


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No. ¤•i–¼ ’P‰¿(‰~) ’˜ŽÒ/•ÒŽÒ o”ÅŽÐ à–¾ ‚©‚²‚Ö
N_M_011 ‹GŠ§ŽÊ^ŽwƒfƒWƒƒƒ”ƒ…x14†@“ÁWwƒvƒƒ”ƒH[ƒNx‚ÌŽž‘ã 5,800 @ ƒtƒHƒgƒvƒ‰ƒlƒbƒg ƒ\ƒtƒgƒJƒo[@— •\Ž†‚킸‚©‚Ƀ„ƒP@1993 w“ü
N_M_012 r–ØŒoˆÒŽÊ^W@‰Ô‹È 11,000 r–ØŒoˆÒ/’˜ V’ªŽÐ ƒJƒo[@‘с@1997 w“ü
N_M_013 r–ØŒoˆÒŽÊ^W@Fˆú 7,500 @ ƒA[ƒgƒ‹[ƒ€ ƒJƒo[”wã•”ƒCƒ^ƒ~AÜ‚è•Ô‚µ•”•ª­ƒCƒ^ƒ~@2005 w“ü
N_M_014 •“cŒõˆêŽÊ^W@’e“¹Šw 2,000 @ ÔXŽÉ ƒJƒo[@“V’n­ƒCƒ^ƒ~@ƒTƒCƒ““ü@2008 w“ü
N_M_015 ŽÂŽR‹IM@RIONA ŒÀ’è”Å 7,500 @ ‚Ô‚ñ‚©ŽÐ ”Ÿƒ„ƒPi—A‘—” ‚ÍŒ‡j@}”Å67ƒV[ƒg+ŽB‰eŒ´”Ń|ƒWƒtƒBƒ‹ƒ€1–‡“ü@1998 w“ü
N_M_016 \•¶Žš”üM@‚í‚Ñ 9,800 \•¶Žš”üM/’˜ ’WŒðŽÐ ”Ÿ”wƒ„ƒPA­ƒXƒŒ@–{‘Ì”wƒ„ƒP@2002 w“ü
N_M_017 XŽR‘哹ŽÊ^W@ƒnƒƒC 7,500 @ ŒŽ—jŽÐ ƒJƒo[”wã•”­ƒCƒ^ƒ~@‘с@ƒTƒCƒ““ü@2007 w“ü
N_M_018 _‘ ”üŽqŽÊ^W@ƒiƒ`ƒ…ƒŠƒ^ 1,500 @ IPCiƒAƒCƒs[ƒV[j ƒJƒo[@1990 w“ü
N_M_019 Î“à“sŽÊ^W@CLUB & COURTS YOKOSUKA YOKOHAMA 8,800 Î“à“s ‘“âuŽÐ “›ƒP[ƒX•t‚«@ƒTƒCƒ““ü@2007 w“ü
N_M_020 ‘q“c¸“ñŽÊ^W@‘刟×ˆŸ 3,000 @ IPCiƒAƒCƒs[ƒV[j ”Ÿ”w­ƒVƒ~@ƒvƒ‰ƒXƒ`ƒbƒNƒJƒo[@1990 w“ü
N_M_021 ‘å“ŒˆŸí‘ˆŽÊ^Žj@‘S4û‘µ 3,800 X‚”É—Y/•Ò •xŽm‘‰‘ ‘Sû”ŸƒCƒ^ƒ~AƒJƒo[ƒ„ƒPA­ƒCƒ^ƒ~@ƒpƒ‰ƒtƒBƒ“ƒJƒo[”j‚ê@1954 w“ü
N_M_022 ’ª“c“o‹vŽqŽÊ^W@–XŽq@HATS 2,000 @ ƒpƒƒ‹ŽÉ ƒJƒo[@Œ£’æƒTƒCƒ““ü@2004 w“ü
N_M_023 “ƁjƒOƒ[ƒfƒ“”ŒŽÝ‘¼ŽÊ^WyWilhem von Gloden, Guglielmo Pluschow, Vincenzo Galdi
ET IN ARCADIA EGOz
5,000 Tobias G. Natter and Peter Weiermair EDITION OEHRLI ƒNƒƒX‘•ƒn[ƒhƒJƒo[@¬Œû‚Ɖœ•t•Å—]”’‚ɏ­ƒVƒ~@2000 w“ü
N_M_025 •§jƒŒƒCƒ‚ƒ“ƒhEƒfƒBƒpƒ‹ƒhƒ“ŽÊ^W@7~3 3,500 Raymond Depardon Foundation Cartier ƒn[ƒhƒJƒo[@2004 w“ü
N_Q_001 ‰pjƒƒ“ƒYƒtƒ@ƒbƒVƒ‡ƒ“ŽjyA HISTORY OF MEN'S FASHIONz 4,900 FARID CHENOUNE Flammarion ƒJƒo[ƒCƒ^ƒ~@ŽO•û”–ƒ„ƒP@1995 w“ü
N_R_001 ‰pjƒVƒ`ƒŠƒA“‡‚̃Œ[ƒX@ƒ^ƒ‹ƒKEƒtƒ[ƒŠƒI‚Ì—ðŽjyTARGA FLORIO 20th CENTURY EPICz 9,800 Gianni Cancellieri/•Ò GIORGIO NADA EDITORE ƒJƒo[@ƒn[ƒhƒJƒo[480•Å@2006 w“ü
N_R_002 ‰pjƒXƒpƒCƒ_[‚ƃVƒ‹ƒGƒbƒgƒJ[@1972-1981ySPYDERS & SILHOUETTESz 7,000 JANOS WIMPFFEN DAVID BULL PUBLISHING ƒJƒo[”w”–ƒ„ƒPA­ƒVƒ@ƒn[ƒhƒJƒo[400•Å@“V­ƒ„ƒP@2007 w“ü
N_R_003 ‰pjƒxƒ“ƒgƒŒ[@ƒuƒ‹ƒbƒNƒ‰ƒ“ƒYyTHE BENTLEY BROOKLANDSz 9,800 @ CLASSIC DRIVER/MERRELL ƒNƒƒX‘•”Ÿ@ƒn[ƒhƒJƒo[206•Å@2010 w“ü
N_T_001 ŠCã‰ëb‚ª„‚·@íŒã”üp‚Ì3l“W 1,800 @ ”~–ì‹L”OŠG‰æŠÙ “›ƒP[ƒX@3•ªû‚Ì“àAˆäã—Lˆê•Ñ‚Ì”w­ƒVƒ~@2009 w“ü
N_T_002 ŽO—Ö“c•ÄŽR‚̏‘ 2,000 ¬“cŽR‘“¹”üpŠÙ/ŠÄC —¢•¶o”Å ƒJƒo[@‘с@“V­ƒ„ƒPA­ƒVƒ~@‰”•Mƒ‰ƒCƒ“Á‚µÕ—L@2004 w“ü
N_T_003 ‘ 2,600 ŒF’JŽçˆê/’˜ _–³‘–[ ƒJƒo[­ƒVƒ~A­‰˜@‘с@2000 w“ü
N_T_004 ‘׊¿Š¢ác•¶ 5,800 ˆÉ“¡Ž /•Ò’˜ “ú–{KŽš•‹y‹¦‰ï ”Ÿ”wƒ„ƒPA­ƒLƒY@–{‘Ì”wƒ„ƒP@–`“ª”•ÅƒVƒ~@1995 w“ü
N_T_005 ”j‘̏‘‚Ì‚·‚·‚ß 1,800 ¼–{’}•õ/’˜ “ú–fo”ÅŽÐ ƒJƒo[•\–ʃCƒ^ƒ~AƒXƒŒ@“VE¬Œû­‰˜@1983 w“ü
N_T_006 •ÄŽR‚Ì–£˜f 1,500 •ÄŽRŒ°²‰ï/ŠÄC ´—¬o”Å ƒJƒo[@‘с@“V­ƒVƒ~@2008 w“ü
N_T_007 –vŒã100”N‹L”O@‘“ŠC@•›“‡Žíb 4,000 @ ²‰êŒ§—§”üpŠÙ ƒ\ƒtƒgƒJƒo[@”w­ƒCƒ^ƒ~@“V­ƒVƒ~@’n­ƒCƒ^ƒ~@‰”•Mƒ‰ƒCƒ“Á‚µÕ—L@2006 w“ü
A_001 ‚­‚·‚蔎•¨ŠÙŽû‘ @Ž‘—¿W4@‚Í‚â‚è•a‚Ì‹ÑŠG 2,500 ˆÉ“¡‹±Žq/•Ò “à“¡‹L”O‚­‚·‚蔎•¨ŠÙ ƒ\ƒtƒgƒJƒo[@}”Å111“_@2001 w“ü
A_002 ƒjƒbƒ|ƒ“‚̉æ‹S@à́X‹¶Ö“` 2,800 •Ÿ•x‘¾˜Y ‰æ•¶“° ƒ\ƒtƒgƒJƒo[@•\Ž†”–ƒ„ƒPA­‰˜A”wã•”­ƒCƒ^ƒ~@•Êüu}”ʼnðà@’ÇŽ§‚Æ•â’ùv•t@ŒÀ’è800•”‚Ì“à1”ԁ@1969 w“ü
A_003 ˆÉjƒWƒFƒmƒ”ƒ@EƒLƒˆƒbƒ\[ƒl”Ž•¨ŠÙ@•‚¢ŠG”ʼnæ@yDipinti e stampe del Mondo Fluttuante
Capolavori Ukiyoe del Museo Chiossone di Genovaz
2,000 Donatella Failla SKIRA ƒJƒo[@ƒn[ƒhƒJƒo[256•Å@•\Ž†ŠpƒAƒ^ƒŠ@2005 w“ü
A_004 ˆÉj‘–F‰æW@yKUNIYOSHI Il visionario del Mondo Fluttuantez 5,000 @ SKIRA ƒn[ƒhƒJƒo[215•Å@2017 w“ü
A_005 ‰pj_âá‰À@yKAMISAKA SEKKAz 4,300 Khanh Trinh/•Ò ART GALLERY of New South Wales ƒJƒo[@ƒn[ƒhƒJƒo[192•Å@2012 w“ü
A_006 ‰pj–F”N@”ül‰æ‚ƃoƒCƒIƒŒƒ“ƒX@yBeauty & Violence Japanese prints by Yoshitoshi 1839-1892z 5,000 @ Society for Japanese Arts ƒ\ƒtƒgƒJƒo[168•Å@•\Ž†­ƒCƒ^ƒ~@–{‘ÌŠp­”½‚è@ÅI•Å‚É‘ ˆó—L‚è@1992 w“ü
A_007 ‰pj–{ˆ¢–íŒõ‰x‚ÌŒ|pyTHE ARTS OF HON'AMI KOETSUz 3,200 @ PHILADELPHIA MUSEUM OF ART ƒJƒo[‚ɏ­ƒˆƒŒA­ƒCƒ^ƒ~A•”•ª“I‚Ƀ„ƒP@‘OŒ©•Ô‚µ‚ɐ܂êÕ—L‚è@2000 w“ü
A_008 ‰~ŽREŽlð”h@ˆí‰¥”üpŠÙ‘ •i 2,000 ˆí‰¥”üpŠÙ/•Ò ‹ž“s‘‰@ ƒ\ƒtƒgƒJƒo[@•\— –ʏ­ƒ„ƒPA­‰˜@1984 w“ü
A_009 ‰¢•ÄŽû‘ “ú–{ŠG‰æW¬@ÝŠO”é•ó@•§‹³ŠG‰æE‘å˜aŠGE…–n‰æ 5,000 “‡“cCŽO˜Y/•Ò ŠwKŒ¤‹†ŽÐ —A‘—”Ÿ­ƒXƒŒAƒCƒ^ƒ~—L@›ã“ü@’艿36000‰~@1969 w“ü
A_010 Šâ²–”•º‰qŠGŠª@ŽR’†í”Õ•¨ŒêŠGŠª/–x]•¨ŒêŠGŠª/ò—Ú—ž•¨ŒêŠGŠª 2,500 MOA”üpŠÙ/•Ò ƒGƒ€ƒI[ƒG[¤Ž– ƒJƒo[@º61 w“ü
A_011 ‹ÉŠyŠG 16,000 ‹àŽqŒjŽO/ŽÊ^@^•Û‹œ/ŠÄCE•¶ –ˆ“úV•·ŽÐ “ñd”Ÿ@ŒÀ’è1200•”@’艿5–œ‰~@ŠO”Ÿ‚ɃCƒ^ƒ~@1977 w“ü
A_012 ‹ß]‚̏á•Ç‰æ 2,900 ÎŠÛ³‰^Aˆé”Ž/’˜ ‹ž“s‘‰@ “ñd” @’艿48000‰~@º56 w“ü
A_013 ‹ß¢•—‘­}•ˆ1@”N’†sŽ– 3,000 —щ®’CŽO˜Y ¬ŠwŠÙ “ñd”Ÿ@–{‘ÌŽO•û­ƒ„ƒP@ŒŽ•ñ•t@’艿18000‰~@1983 w“ü
A_014 ‹ß¢•—‘­}•ˆ12@El 3,200 —щ®’CŽO˜Y ¬ŠwŠÙ “ñd”Ÿ@–{‘ÌŽO•û­ƒ„ƒP@ŒŽ•ñ•t@’艿18000‰~@1983 w“ü
A_015 ‹ß¢•—‘­}•ˆ3@—Œ’†—ŒŠOi1j 3,200 —щ®’CŽO˜Y ¬ŠwŠÙ “ñd”Ÿ@–{‘ÌŽO•û­ƒ„ƒP@ŒŽ•ñ•t@’艿18000‰~@1983 w“ü
A_016 ‹ß¢•—‘­}•ˆ8@Õ—çi1j 3,200 —щ®’CŽO˜Y ¬ŠwŠÙ “ñd”Ÿ@–{‘ÌŽO•û­ƒ„ƒP@ŒŽ•ñ•t@’艿18000‰~@1982 w“ü
A_017 ŒŒ‚̔ӎ`@‘å‘h–F”N‚ÌåYp 17,000 @ ”Ô’¬‘–[ —A‘—”Ÿ‰˜‚ê@”Ÿƒ„ƒP@›ã@•Êû•t@’艿30000‰~@ŒÀ’è1200•”@1971 w“ü
A_018 ŒŽ‰ª–F”N‰æW 16,000 £–ؐTˆê/•Ò u’kŽÐ ”ŸƒCƒ^ƒ~A”wƒ„ƒP@}”Å203“_@143•Å@1978 w“ü
A_019 ŒÃ•MŽèŠÓ‚Ɖ撟‚Ì–¼•i@‹ß¢“ú–{‚̃A[ƒgEƒAƒ‹ƒoƒ€ 1,800 @ ƒTƒ“ƒgƒŠ[”üpŠÙ }˜^@ƒ\ƒtƒgƒJƒo[@2001 w“ü
A_020 Œä‰¾‘ŽqŠGŠª 9,000 ‰œ•½‰p—Y/•Ò Špì‘“X ”Ÿ@ƒJƒo[ŽC‚ê@ŒÀ’è”Ł@’艿24000‰~@1982 w“ü
A_021 Œä•¨ãڐ¬@‘S4Šª‘µ 10,000 ‹{“à’¡Ž˜]E/•Ò ’©“úV•·ŽÐ “ñd”Ÿ@”à•Å‚ɏ­¯ƒVƒ~@ŠG‰æ1EŠG‰æ2E‘Õ1E‘Õ2@ŠeŠª•Êû‰ðà•t‚«@1978 w“ü
A_022 Œõ—Ô•S}@‘S4û‘µ 4,500 ’†‘ºŒk’j/‰ðà Šâè”üpŽÐ ŠO”ŸŒ‡@˜a–{4û›ã“ü@‰ðà–{•t@@1981 w“ü
A_023 ]ŒË‚ÌŠG‰æ@A Kaleidoscope of Painting Styles
Essays on Edo Period Paintings
23,000 ¬—Ñ’‰/’˜ åY‰Ø‘‰@ ”Ÿ­‰˜@ƒJƒ‰[}”Å103“_@ŽQl}”Å203“_@584•Å@2010 w“ü
A_024 ]ŒË‚ÌŠG—ï 3,200 ‰ª“c–F˜N ‘åCŠÙ‘“X ƒJƒo[@‘с@2006 w“ü
A_025 ]ŒË‚Ì—m‰æ‰Æ 2,600 ¬–ì’‰d/’˜ ŽOÊŽÐ ”Ÿ­ƒ„ƒP@ŽO•û­ƒ„ƒP@ŒÀ’è1000•”@1968 w“ü

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ŒŸõŒ‹‰Ê 1691 Œ [ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 ] [XV]

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