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ƒy[ƒW 28 (1351`1400)

No. ¤•i–¼ ’P‰¿(‰~) ’˜ŽÒ/•ÒŽÒ o”ÅŽÐ à–¾ ‚©‚²‚Ö
M_121 ‰pjƒtƒBƒŠƒbƒvEƒgƒŒƒ_ƒmŽÊ^W@”j’]‚µ‚½‰ïŽÐ@yBANKRUPTz 4,000 Phillip Toledano TWIN PALMS PUBLISHERS ‰¡‘å”»i–ñ34.5~46cmj@ƒn[ƒhƒJƒo[@•\Ž†ƒXƒŒAŽl‹÷ƒLƒYAƒCƒ^ƒ~—L‚è@2004 w“ü
M_122 ‰pjƒuƒ‹[ƒXEƒMƒ‹ƒfƒ“ŽÊ^W@ƒS[@yGoz 16,000 Bruce Gilden Trebrunk Publishing ƒn[ƒhƒJƒo[@”w­”j‚ꏭ‰˜@88•Å@2002 w“ü
M_123 ‰pjƒuƒ‹[ƒXEƒfƒ”ƒBƒbƒhƒ\ƒ“ŽÊ^W@ƒƒXƒAƒ“ƒWƒFƒ‹ƒX1964yBRUCE DAVIDSON
LOS ANGELES 1964z
15,000 Bruce Davidson^ŽÊ^ STEIDL ƒn[ƒhƒJƒo[@2015 w“ü
M_124 ‰pjƒwƒŒƒ“EƒŒƒ”ƒBƒbƒgŽÊ^W@yCROSSTOWNz 9,800 HEKEN LEVITT powerHouse Books ƒn[ƒhƒJƒo[@2001 w“ü
M_125 ‰pjƒwƒ“ƒŠ[Eƒ‹[ƒgƒƒCƒ‰[ŽÊ^W@N.Y. ƒVƒeƒBƒoƒŒƒG’c@yBalletz 9,000 Henry Leutwyler Steidl ‘с@ƒTƒCƒ““ü@‘æ2”Ł@2015 w“ü
M_126 ‰pjƒzƒ‹ƒXƒgŽÊ^W@ƒtƒHƒ‹ƒ€@yFORMz 5,000 HORST twelvetrees press ƒJƒo[•\–ʏ­ƒCƒ^ƒ~@1992 w“ü
M_127 ‰pjƒ}[ƒNEƒŒƒ_[ŽÊ^W@yMallorca-Island in Progressz 1,800 Mark Rader Nazraeli Press ƒJƒo[@2007 w“ü
M_128 ‰pjƒ}ƒCƒPƒ‹EƒhƒEƒFƒbƒNŽÊ^W@yTHE END
MONTAUK, N.Y.z
28,000 MICHAEL DWECK Ditch Plains Press ƒJƒo[@‘с@ƒn[ƒhƒJƒo[@ƒTƒCƒ““ü‚è@2015 w“ü
M_129 ‰pjƒ}ƒCƒPƒ‹Eƒ}[ƒgƒ“ŽÊ^W@ƒ_[ƒNEƒ‰ƒCƒgyDark Lightz 2,300 Michael Martone Lustrum Press ƒ\ƒtƒgƒJƒo[@•\Ž†­ƒ„ƒP­ƒVƒ~@”w‰º•”ƒCƒ^ƒ~@“VE¬Œû­ƒ„ƒP­‰˜@1973 w“ü
M_130 ‰pjƒ}ƒbƒgEƒ}ƒnƒŠƒ“ŽÊ^WyMATT MAHURIN PHOTOGRAPHSz 5,000 @ TWELVETREE PRESS ƒJƒo[”w”–ƒ„ƒP@ŽO•û”–ƒ„ƒP@1989 w“ü
M_131 ‰pjƒ}ƒŠ[EƒGƒŒƒ“Eƒ}[ƒNŽÊ^W@ƒ{ƒ“ƒxƒC‚̏©•w‚½‚¿ 5,000 MARY ELLEN MARK ALFRED A. KNOPF ƒ\ƒtƒgƒJƒo[@1981 w“ü
M_132 ‰pjƒŠ[EƒtƒŠ[ƒhƒ‰ƒ“ƒ_[ŽÊ^W@yLEE FRIEDLANDER PHOTOGRAPHSz 14,000 @ Haywire Press ƒn[ƒhƒJƒo[@•\Ž†EŽO•ûE–{•¶—]”’‚ɃVƒ~—L‚é‚à}”łɉe‹¿–³‚µ@1978 w“ü
M_133 ‰pjƒŠƒ`ƒƒ[ƒhEƒvƒŠƒ“ƒXì•iW@yCHECK PAINTINGSz 13,000 Richard Prince GAGOSIAN GALLERY “V­ƒVƒ~@2005 w“ü
M_134 ‰pjƒŠƒ`ƒƒ[ƒhEƒvƒŠƒ“ƒX‰Šúì•iW@yRICHARD PRINCE EARLY PHOTOGRAPHS 1977-1979z 0 Richard Prince SKARSTEDT FINE ART y”„Ø‚êzƒn[ƒhƒJƒo[@2001 w“ü
M_135 ‰pjƒ‹ƒlEƒuƒŠŽÊ^W@77‚ÌŠï–­‚ÈŠ´Šo@y77 STRANGE SENSATIONz 5,000 RENE BURRI EDITION DINO SIMONETT ƒn[ƒhƒJƒo[@1998 w“ü
M_136 ‰pjƒ[EƒAƒXƒŠƒbƒWŽÊ^W@ƒTƒNƒŠƒtƒ@ƒCƒX@ƒ†ƒA@ƒ{ƒfƒB@ySacrifice your bodyz 3,900 Roe Ethridge MACK ƒn[ƒhƒJƒo[@2014 w“ü
M_137 ‰pjƒƒo[ƒgEƒAƒ_ƒ€ƒXŽÊ^W@yInteriors 1973-1974z 8,000 Robert Adams Nazraeli Press ”Ÿ@24—t“ü@2006 w“ü
M_138 ‰pjƒƒo[ƒgEƒAƒ_ƒ€ƒXŽÊ^W@ƒXƒeƒBƒ‹Eƒ‰ƒCƒ”ƒX@yRobert Adams
Still Livesz
4,000 @ Nazraeli Press ƒJƒo[@2006 w“ü
M_139 ‰p)ƒƒ“EƒIƒŠƒ”ƒ@[ŽÊ^W@Œ©“n‚·ŒÀ‚è@yAS FAR AS THE EYE CAN SEEz 32,000 RON OLIVER ICONOGRAPHY2 ƒJƒo[ã•”ƒ„ƒP@“V­ƒ„ƒPA­ƒVƒ~@Œ©•Ô‚µƒVƒ~@1994 w“ü
M_140 ‰pjˆÀŠyŽ›‚¦‚ݎʐ^W@yANRAKUJIz 1,500 Emi Anrakuji Nazraeli Press ƒJƒo[@2006 w“ü
M_141 ‰pj‹{–{—²ŽiŽÊ^W@yRYUJI MIYAMOTOz 6,800 Ryuji Miyamoto STEIDL ƒJƒo[@1999 w“ü
M_142 ‰pj™‰Y–MŒbŽÊ^W@ƒA[ƒeƒBƒXƒg‚ƉȊwŽÒ@yKunie Sugiura Artists and Scientistsz 9,800 Kunie Sugiura Nazraeli Press/JGS ƒJƒo[@‘å”»@ƒn[ƒhƒJƒo[@2007 w“ü
M_143 ‰pj“n•ÓŽ–¤ŽÊ^W@‰Ì•‘Šê’¬yGANGS OF KABUKICHOz 13,000 WATANABE KATSUMI PPP Editions ƒrƒj[ƒ‹ƒJƒo[@2006 w“ü
M_144 ‰pj•ŸŒ´MŽO‚ƘH‘yShinzo and Roso Fukuhara Photographys by Ginza Modern Boys 1913-1941z 3,000 Noriko Fuku SEPIA ƒ\ƒtƒgƒJƒo[72•Å@2000 w“ü
M_145 ‰p“ƁjPEƒeƒBƒŒƒbƒZƒ“ŽÊ^W@ƒS[ƒ‹ƒhyGOLDz 2,500 Peter Tillessen Lars Muller Publishers ƒn[ƒhƒJƒo[@2000 w“ü
M_146 ‰p—–jƒfƒVƒŠ[Eƒhƒ‹ƒƒ“ŽÊ^W@yDESIREE DOLRONz 9,800 @ TERRA ƒJƒo[­ƒXƒŒA­ƒCƒ^ƒ~@’Ô‚¶­‚ä‚é‚݁@2005 w“ü
M_147 ‰œŽR—R”VŽÊ^W@As the Call, So the Echo 3,600 ‰œŽR—R”V ÔXŽÉ ƒn[ƒhƒJƒo[@ƒNƒƒX‘•@•Êü•t@2017 w“ü
M_148 ‰ª‘ºº•F@•ñ“¹ŽÊ^W 1,600 ‰ª‘ºt•F/ŠÄC u’kŽÐ ‘уJƒo[‹¤‚É”w­ƒ„ƒP@1986 w“ü
M_149 ‰ª–{‘¾˜YŽÊ^W@‰ª–{‘¾˜Y‚̉«“ê 5,600 ‰ª–{‘¾˜Y/’˜ NHKo”Å ƒJƒo[@‘с@2000 w“ü
M_150 ‰Ô‚ª“¦‚°‚é@w“y–匝‚ª•`‚¢‚½‰Ô¸x 2,900 @ ƒvƒƒWƒFEƒ_[ƒ‹ — •\Ž†ƒ„ƒP@ƒŠƒ“ƒO’Ô‚¶@}”Å102“_@1991 w“ü
M_151 ‰Ô·—F—¢ŽÊ^W@Q‹N‚«—Žq 900 ‰Ô·—F—¢ ƒƒjƒuƒbƒNƒX ƒJƒo[@‘с@2018 w“ü
M_152 Š|ìŒ¹ˆê˜YŽÊ^W@‘å’n‚ɐ¶‚«‚é–kŠC“¹‚̉«“ꑺ 9,000 Š|ìŒ¹ˆê˜Y/’˜ ‘æˆê–@‹K ƒJƒo[@ŽO•û­ƒ„ƒP@1980 w“ü
M_153 Š™êŒ 160,000 ×]‰pŒö/ŽÊ^@“y•û’F/•‘“¥ Œ»‘ãŽv‘zŽÐ ŠO”Ÿ‚ɏ­ƒ„ƒPA­ƒVƒ~A­ƒCƒ^ƒ~@–{‘̃vƒ‰ƒJƒo[‚É—ô‚¯@–{‘Ì”w‚ɏ­ƒVƒ~@–{‘̈ꕔ’Ô‚¶ž‚Ý•Å‚Ì’[‚ɐ܂êÕ—L‚è@‰”Ł@ƒXƒŠƒbƒvƒP[ƒXó‘ԗǍD@1969 w“ü
M_154 Š¥¼ŽŸ˜Y‚ƕ䊡ŽOŽõ—Y@••”‚Æ‘„ 2,900 @ “Œ‹ž“sŽÊ^”üpŠÙ ƒ\ƒtƒgƒJƒo[@2014 w“ü
M_155 Šâ‹´’ŽŠŽÊ^W ”’“ªŽR 3,000 @ SBB “ñd”Ÿ@’艿10–œ‰~@‰¡’·‘å”»@“ú–{Œê‰ðà•t‚«@1993 w“ü
M_156 ‹GŠ§@ƒNƒ‰ƒVƒbƒNƒJƒƒ‰@‘S18û‘µ 14,000 “c’†’·“¿@‘¼ ‘o—tŽÐ 1-18Šª‘µ@1Šª•\Ž†­Ü‚êÕ—L@2003 w“ü
M_157 ‹GŠ§@ŽÊ^ƒ[ƒNƒVƒ‡ƒbƒv No.7@“ÁWF—«ŽÊ^ 12,000 Ó”C•ÒWFr–ØŒoˆÒ ŽÊ^ƒ[ƒNƒVƒ‡ƒbƒv•ÒWŽº ƒ\ƒtƒgƒJƒo[72•Å@— •\Ž†‰º•”‚ÉŒ‡‘¹‰ÓŠ‚ ‚è@1976 w“ü
M_158 ‹OÕ@‘å‘©Œ³‚̐¢ŠE 3,900 ŠM•—ŽÉ/•Ò •½–}ŽÐ ƒJƒo[@‘с@1996 w“ü
M_159 ‹SŠCO—YŽÊ^W@“Œ‹ž–À˜H 5,800 ‹SŠCO—Y ¬ŠwŠÙ “›ƒP[ƒX“ü@1999 w“ü
M_160 ‹g‘º˜a•qŽÊ^W@Du CANADA[ƒfƒ…@ƒJƒiƒ_] 2,500 ‹g‘º˜a•q “úŒoƒiƒVƒ‡ƒiƒ‹ƒWƒIƒOƒ‰ƒtƒBƒbƒN ƒJƒo[@‘с@2019 w“ü
M_161 ‹g‘º˜a•qŽÊ^W@KANRANSHA~ŠÏ——ŽÔ 1,700 ‹g‘º˜a•q ƒtƒHƒgƒZƒŒƒNƒgƒuƒbƒNƒX ƒ\ƒtƒgƒJƒo[@ƒJƒo[@‘с@2015 w“ü
M_162 ‹g“c—ºlŽÊ^W@The Absence of Two 3,300 ‹g“c—ºl ÂŒ¶ŽÉ ‘с@2018 w“ü
M_163 ‹v‰Æ–õGŽÊ^W@‰–ƒm‰Ô/ŽO‘ 3,800 ‹v‰Æ–õG KOKUYO Anƒm[ƒgƒuƒbƒNƒVƒŠ[ƒY@2ûƒZƒbƒg@‘шꕔƒLƒŒA­‰˜@2005 w“ü
M_164 ‹{è‚¢‚¸”üŽÊ^W@Ž„‚ÆŽ„@Me and Me 1,900 ‹{è‚¢‚¸”ü ÂŒ¶ŽÉ ƒJƒo[@‘с@ƒ\ƒtƒgƒJƒo[@2018 w“ü
M_165 ‹{–{—²ŽiŽÊ^W@CARDBOARD HOUSES 5,000 @ BEARLIN ƒJƒo[@2003 w“ü
M_166 ‹{–{—²ŽiŽÊ^W@ƒAƒ“ƒR[ƒ‹ 1,800 @ ƒgƒŒƒ”ƒBƒ‹ ƒJƒo[@1994 w“ü
M_167 ‹{–{—²ŽiŽÊ^W@‹ã—´éÔ 4,900 @ •½–}ŽÐ ƒJƒo[— ­ƒCƒ^ƒ~@1997 w“ü
M_168 ‹Ž”‚ӏ¬ŠwZ 38,000 •Ÿ“cŸŽ¡ ŒºŒõŽÐ@ ”ŸEƒJƒo[­ƒ„ƒuƒŒA“úÄ‚¯@109•Å@“VE’nE¬Œû­ƒVƒ~ 1941 w“ü
M_169 ‹à‘ºCŽÊ^W@Happiness is a Red before Exploding 0 ‹à‘ºC ƒƒCƒYo”Å y”„Ø‚êzƒJƒo[@“VE¬Œû­ƒ„ƒP@ƒTƒCƒ““ü‚è@2000 w“ü
M_170 ‹à‘ºCŽÊ^W I CAN TELL 8,500 ‹à‘ºC –F‰ê‘“X ‘Ñ•t@‘æ19‰ñ“y–匝Ü@2001 w“ü

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