Œ¹Šì“°E“X“ªÝŒÉ–Ú˜^

  • ‚¨”ƒ‚¢‹‚߂ɂȂ鏑Ð‚̉E’[‹ó—“‚Ƀ`ƒFƒbƒN‚ð“ü‚êi•¡”‰ÂjA‘ÐƒŠƒXƒg‚̉º‚É‚ ‚éw”ƒ‚¢•¨‚©‚²‚É“ü‚ê‚éxƒ{ƒ^ƒ“‚ð‰Ÿ‚·‚Æ”ƒ‚¢•¨‚©‚²‚É“ü‚è‚Ü‚·B
  • w”ƒ‚¢•¨‚©‚²‚É“ü‚ê‚éxƒ{ƒ^ƒ“‚𕡐”‰ñ‰Ÿ‚³‚È‚¢‚悤‚²’ˆÓ‰º‚³‚¢BƒŠƒXƒg‚̏‘Ð‚ÍŠî–{“I‚É1“_ŒÀ‚è‚Å‚·B
  • ‘ÐƒŠƒXƒg‚̉º‚É‚ ‚éw‚©‚²‚Ì’†‚ðŒ©‚é/‚²’•¶‚ցxƒ{ƒ^ƒ“‚ð‰Ÿ‚µ‚āAŽŸ‚̃y[ƒW‚Ö‚¨i‚Ý‚­‚¾‚³‚¢B
¡ƒWƒƒƒ“ƒ‹•Ê•\Ž¦¡
¡ V“ü‰× ¡ “ú–{”üpi‹ß¢ˆÈ‘Oj ¡ “Œ—m”üp ¡ ‰æWi“ú–{j ¡ ”üp•]˜_E‘SW‘¼i“ú–{j ¡ •§‹³”üp ¡ ŽÊ^
¡ ’¤ ¡ •‚¢ŠGE”Å‰æ ¡ HŒ|EõDE’ƒ“¹E“©Œ| ¡ ‰æWi¼—mj ¡ ”üp•]˜_E‘SW‘¼i¼—mj ¡ ƒfƒUƒCƒ“EL ¡ Œš’z
¡ ‘“¹ ¡ ‰‰Œ€EŒÃ“TŒ|”\ ¡ —ðŽjE•—‘­ ¡ Žï–¡ ¡ ƒtƒ@ƒbƒVƒ‡ƒ“E•žü ¡ ŠG–{EƒCƒ‰ƒXƒg

¤•iŒŸõ

ŒŸõŒ‹‰Ê 1242 Œ [ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 ] [XV]


ƒy[ƒW 2 (51`100)

No. ¤•i–¼ ’P‰¿(‰~) ’˜ŽÒ/•ÒŽÒ o”ÅŽÐ à–¾ ‚©‚²‚Ö
N_M_002 ‰pjƒŠƒ`ƒƒ[ƒhEƒAƒ”ƒFƒhƒ“ŽÊ^ƒRƒŒƒNƒVƒ‡ƒ“@yEye of Beholder Photographs from the Collection of Richard Avedonz 7,800 Richard Avedon Fraenkel Gallery ”Ÿ­‰˜AƒV[ƒ‹Õ—L‚è@2Šª•\Ž†­‰˜@2006 w“ü
N_M_003 ‘Û”Ł@ŒÃŽ›„—ç@‘S5Šª‘µ 0 “y–匝 ”üpo”ÅŽÐ y”„Ø‚êz”Ÿ@ƒJƒo[@4ŠªƒJƒo[­ƒ„ƒuƒŒ@1988 w“ü
N_M_004 ‚—œ–LŽÊ^W@“Œ‹žl 32,000 @ ‘ãæŽR“c ƒXƒŠƒbƒvƒP[ƒX‚Ƀ„ƒPAƒCƒ^ƒ~@–{‘Ì•\Ž†‚̏¬ŒûŠp‚ɋɏ­ƒCƒ^ƒ~@–{‘Ì2•Å–ڂɈÀ•”Œö–[ˆ¶‚̃yƒ“‘‚«ƒTƒCƒ““ü@•˜^­ûŽq1E2@‘Ñ•t@‰”Ł@1983 w“ü
N_M_005 “ƁjƒEƒBƒ‹Eƒ}ƒbƒNƒuƒ‰ƒCƒhŽÊ^W@yEDITION STEMMLEz 7,500 Will McBride Frankfurter Kunstverein ƒJƒo[”w­”j‚ê@1992 w“ü
N_M_006 ˆäãÂ—´ŽÊ^W@IRRESISTIBLE STEPS 1956-1988 6,000 ˆäãÂ—´ ‘“âuŽÉ ƒJƒo[@“V¯ƒVƒ~@2003 w“ü
N_M_007 ‰pjƒAƒAƒƒ“Eƒ‹[ƒGƒ‹ŽÊ^W@ySOME PHOTOSz 1,800 AARON RUELL Nazraeli Press 2000•”ŒÀ’è@ƒn[ƒhƒJƒo[@2007 w“ü
N_M_008 ‰pjƒAƒŒƒbƒTƒ“ƒhƒ‰EƒTƒ“ƒMƒlƒbƒeƒBŽÊ^W@yOn the Sixth Dayz 4,000 Alessandra Sanguinetti Nazraeli Press 1500•”ŒÀ’è@ƒn[ƒhƒJƒo[@2005 w“ü
N_M_009 ‰pjƒWƒ‡[Eƒ}ƒbƒPƒi•ÒWŽÊ^W@ƒWƒ‡[ƒYƒZƒJƒ“ƒhƒCƒVƒ…[@yjoe's second issuez 18,000 Joe Mckenna/•Ò Joe Mckenna 1998 w“ü
N_M_010 ‰pjƒWƒ‡ƒZƒtEƒXƒUƒ{ŽÊ^W@ƒeƒB[ƒ“ƒGƒCƒW@yTEENAGEz 0 Joseph Szabo Greybull Press y”„Ø‚êzƒn[ƒhƒJƒo[@2003 w“ü
N_M_011 ‰pjƒ^ƒ“ƒ„Eƒ}ƒ‹ƒN[ƒ[ŽÊ^W@yUndergerments and Armorz 2,800 TANYA MARCUSE Nazraeli Press ƒXƒŠƒbƒvƒP[ƒX“ü@3•ªû@ƒn[ƒhƒJƒo[@2005 w“ü
N_M_012 ‰pjƒgƒbƒhEƒnƒCƒhŽÊ^W@yBETWEEN THE TWOz 6,800 Todd Hido Nazraeli Press 2000•”ŒÀ’è@ƒn[ƒhƒJƒo[@2007 w“ü
N_M_013 ‰pjƒgƒ€EƒEƒbƒhŽÊ^W@yALL ZONES OFF PEAKz 0 TOM WOOD DEWI LEWIS y”„Ø‚êzƒJƒo[@1998 w“ü
N_M_014 ‰pjƒwƒŒƒ“EƒŒƒ”ƒBƒbƒgŽÊ^W@yCROSSTOWNz 8,800 HEKEN LEVITT powerHouse Books ƒn[ƒhƒJƒo[@2001 w“ü
N_M_015 ‰pjƒ}[ƒNEƒŒƒ_[ŽÊ^W@yMallorca-Island in Progressz 1,800 Mark Rader Nazraeli Press ƒJƒo[@2007 w“ü
N_M_016 ‰pj‚â‚È‚¬‚Ý‚íŽÊ^W@ƒzƒƒCƒgEƒLƒƒƒXƒPƒbƒg@yWHITE CASKETz 8,000 MIWA YANAGI Nazraeli Press ”Ÿ@2004 w“ü
N_M_017 ‰pjƒ‰ƒŠ[Eƒg[ƒEƒFƒ‹ŽÊ^W@yThe Mennonitesz 0 LARRY TOWELL PHAIDON y”„Ø‚êzƒn[ƒhƒJƒo[@ƒXƒŠƒbƒvƒP[ƒX“ü@2000 w“ü
N_M_018 ‰pjƒŠ[EƒtƒŠ[ƒhƒ‰ƒ“ƒ_[ŽÊ^W@÷Žë@yCHERRY BLOSSOM TIME IN JAPAN THE COMPLETE WORKSz 4,000 LEE FRIEDLANDER FRAENKEL GALLERY ƒn[ƒhƒJƒo[@2006 w“ü
N_M_019 ‰pjƒŠƒ`ƒƒ[ƒhEƒG[ƒ‹ƒŠƒbƒqŽÊ^W@yNAMIBIAz 4,500 RICHARD EHRLICH Nazraeli Press 2007 w“ü
N_M_020 ‰pjƒƒo[ƒgEƒAƒ_ƒ€ƒXŽÊ^W@yA Portrait in Landscapesz 4,000 Robert Adams Nazraeli Press ƒJƒo[@2006 w“ü
N_M_021 ‰pjƒƒo[ƒgEƒAƒ_ƒ€ƒXŽÊ^W@yInteriors 1973-1974z 8,000 Robert Adams Nazraeli Press ”Ÿ@24—t“ü@2006 w“ü
N_M_022 ‰pjƒƒo[ƒgEƒnƒCƒlƒbƒPƒ“ŽÊ^W@yRecto/Versoz 4,500 Robert Heinecken Nazraeli Press 2006 w“ü
N_M_023 ‰pjˆÀŠyŽ›‚¦‚ݎʐ^W@yANRAKUJIz 1,800 Emi Anrakuji Nazraeli Press ƒJƒo[@2006 w“ü
N_M_024 ‰pjˆÉ“Þ‰pŽŸŽÊ^W@“Vc@yEmperor of Japanz 4,300 EIJI INA Nazraeli Press “ú–{Œê‰ðà•t@2008 w“ü
N_M_025 ‰pj´‰Æ•y•vŽÊ^W@yPORTRAIT OF ZOEz 9,800 TOMIO SEIKE BLITZ INTERNATIONAL ”Ÿ­‰˜@–`“ª3•Å‚Ù‚ÇŠp­Ü‚êÕ—L@1994 w“ü
N_M_026 ‰pj“ú”ä—VˆêŽÊ^W@”L@yNECOz 2,600 YUICHI HIBI Nazraeli Press ƒJƒo[­ƒCƒ^ƒ~@ŒÀ’è500•”@ƒTƒCƒ““ü@2008 w“ü
N_M_027 ‰pj•Ä“c’mŽqŽÊ^W@ybetween visiblez 3,000 @ Nazraeli Press 2004 w“ü
N_M_028 ‹GŠ§@ŽÊ^‰f‘œ@‘S10û‘µ 43,000 @ ŽÊ^•]˜_ŽÐ ‘æ1Šª•\Ž†•\–ʈꃖŠ”‚ª‚ê@‘æ6Šª— •\Ž†Ü‚êÕ—L@‘æ9E10Šª”w”–ƒ„ƒP@‘SŠª“V­ƒVƒ~@1971 w“ü
N_M_029 ‹OÕ@‘å‘©Œ³‚̐¢ŠE 3,900 ŠM•—ŽÉ/•Ò •½–}ŽÐ ƒJƒo[@‘с@1996 w“ü
N_M_030 ‹SŠCO—YŽÊ^W@“Œ‹ž–À˜H 5,800 ‹SŠCO—Y ¬ŠwŠÙ “›ƒP[ƒX“ü@1999 w“ü
N_M_031 ‹à‘ºCŽÊ^W@Happiness is a Red before Exploding 8,500 ‹à‘ºC ƒƒCƒYo”Å ƒJƒo[@“VE¬Œû­ƒ„ƒP@ƒTƒCƒ““ü‚è@2000 w“ü
N_M_032 ‚—œ–LŽÊ^W@–Ê–Ú–ô”@@l•¨ŽÊ^ƒNƒƒjƒNƒ‹1964-1989 5,400 ‚—œ–L •½–}ŽÐ ƒJƒo[@‘с@“V­ƒ„ƒP@1990 w“ü
N_M_033 ¡“¹ŽqŽÊ^W@Michiko Kon 3,200 @ Œõ—ÔŽÐ —A‘——pƒXƒŠƒbƒvƒP[ƒX•t@“à”Ÿ@”w‘¤ƒJƒo[‚ɃCƒ^ƒ~@ƒn[ƒhƒJƒo[@1997 w“ü
N_M_034 ×]‰pŒöŽÊ^W@‚¨‚Æ‚±‚Ə— 40,000 @ ƒJƒƒ‰ƒA[ƒgŽÐ ”ŸƒCƒ^ƒ~A‰˜@‘ÑŒ‡@–{‘Ì‚Ì•\Ž†ƒCƒ^ƒ~AƒXƒŒA”wƒ„ƒP@ŽO•û‚ɋɏ­ƒVƒ~@}”ŗǍD@“\•t‰œ•t—L@1961 w“ü
N_M_035 ŽRè”ŽŽÊ^W@HELIOGRAPHY 16,000 @ Â‹|ŽÐ ƒJƒo[­ƒˆƒŒA­ƒXƒŒAØ‚ê–Ú—L@ƒ^ƒCƒgƒ‹•Å‚ɏ­ƒVƒ~—L@1983 w“ü
N_M_036 ¬“‡ˆê˜YŽÊ^W@hysteric Eleven 13,000 ¬“‡ˆê˜Y ƒqƒXƒeƒŠƒbƒNƒOƒ‰ƒ}[ ƒJƒo[@¬“‡OŽqƒTƒCƒ““ü@ŒÀ’è800•”@2004 w“ü
N_M_037 V‘qF—YŽÊ^W@ƒƒ“ƒ_ƒtƒ‹EƒXƒgƒŠ[ƒg 3,000 V‘qF—Y ‘“âuŽÉ ƒTƒCƒ““ü@ƒJƒo[@2007 w“ü
N_M_038 ì“cŠì‹vŽ¡@¢ŠEŒ€ê 3,500 @ “Œ‹ž“sŽÊ^”üpŠÙ ƒ\ƒtƒgƒJƒo[@2003 w“ü
N_M_039 ‘ò“nñŽÊ^W@º˜a 4,000 ‘ò“nñ@ˆÉ²ŽR‚ЂëŽq •ó“‡ŽÐ ƒJƒo[@“V­ƒVƒ~@1994 w“ü
N_M_040 ’†‹—T‹±ŽÊ^W@Žc‚è‚Ì‰Ô 2,400 ’†‹—T‹± ƒƒCƒYo”Å ƒƒCƒYo”Ŏʐ^‘p‘5@ƒTƒCƒ““ü@ƒJƒo[@2000 w“ü
N_M_041 “n•ÓŽ–¤ŽÊ^W@Vh1965-97 9,800 “n•ÓŽ–¤ V’ªŽÐ/ƒtƒHƒgƒ~ƒ…ƒ[ ƒJƒo[@‘ÑŠp­ƒXƒŒ@–{‘Ì“V­‰˜@”à•Å”–ƒVƒ~@1997 w“ü
N_M_042 “Œ¼Æ–¾ŽÊ^W@VISIONS of JAPAN 3,000 “Œ¼Æ–¾ Œõ—ԎЏo”Å ƒJƒo[@¬Œû‹É­‰˜@1998 w“ü
N_M_043 “Œ¼Æ–¾ŽÊ^W@’·è<11
02>1945”N8ŒŽ9“ú
3,500 @ V’ªŽÐ •\Ž†ƒ„ƒP@‘я­ƒCƒ^ƒ~@1995 w“ü
N_M_044 “Ɓjƒ}ƒ“ƒtƒŒƒbƒhEƒEƒBƒ‹ƒ}ƒ“ŽÊ^W@ƒ_ƒXEƒ‰ƒ“ƒg@yDAS LANDz 16,000 Manfred Willmann Fotohof ƒJƒo[@ŒÀ’è1500•”@ƒgƒ‰ƒ“ƒvƒJ[ƒh•t@2000 w“ü
N_M_045 ”ö’‡_“ñŽÊ^W@Tokyo Candy Box 3,500 ”ö’‡_“ñ ƒƒCƒYo”Å ƒƒCƒYo”Ŏʐ^‘p‘9@ƒTƒCƒ““ü@ƒJƒo[@•Êûu–ì•é’Ÿv•t@2001 w“ü
N_M_046 ”ö’‡_“ñŽÊ^W@”w‚‚ ‚킾‚¿‘ 32,000 ”ö’‡_“ñ ‘“âuŽÉ ”Ÿ‚Ƒя­ƒVƒ~@‘я­ƒXƒŒ@”Ÿ”w”–ƒ„ƒP@1991 w“ü
N_M_047 •§jƒEƒBƒŠƒAƒ€EƒNƒ‰ƒCƒ“ŽÊ^W@ƒ[ƒ}@yROME (ROMA)z 22,000 William Klein Seuil ƒJƒo[Ø‚êA”j‚ê@‘ ˆó—L‚è@‰”Ł@1959 w“ü
N_Q_001 ƒAƒgƒŒŽQlŽ‘—¿WƒNƒ‰ƒVƒR 3,500 ƒRƒ“ƒrƒl[ƒVƒ‡ƒ“/•Ò ƒAƒgƒŒƒtƒ@ƒbƒVƒ‡ƒ“ ”Ÿ­ƒVƒ~@}”Å‘S158—t‘µ@’艿35000‰~@1990 w“ü
N_Q_002 ƒtƒ‰ƒ“ƒX‚̈ߑ•‚ÆŽhJ 0 @ ŠwKŒ¤‹†ŽÐ y”„Ø‚êzƒXƒŠƒbƒvƒP[ƒX‚ɏ­‰˜A­ƒCƒ^ƒ~@–{•¶•Å—]”’‚ɃVƒ~—L‚èi}”łɉe‹¿–³‚µj@”wƒ„ƒP@1983 w“ü
N_T_001 ’†jŒà¹×ì•iW 6,900 @ ãŠCl–¯”üpo”ÅŽÐ ”Ÿ­ƒ„ƒP@ƒJƒo[”w­”j‚êi•âCÏj@1984 w“ü
N_T_002 •¶l‘•ˆ@‘S12Šª‘µ 9,000 @ ’WŒðŽÐ ‘SŠªƒJƒo[­ƒXƒŒ@‘æ1Šª­ƒ„ƒuƒŒ•âC—L@1979 w“ü

¦ Á”ïÅ‚ÍŠÜ‚Ü‚ê‚Ä‚¢‚Ü‚·.


[‘O‚̉æ–Ê] [‚©‚²‚Ì’†‚ðŒ©‚é/‚²’•¶‚Ö] [ƒz[ƒ€ƒy[ƒW‚Ö–ß‚é]
ŒŸõŒ‹‰Ê 1242 Œ [ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 ] [XV]

  • ‚¨”ƒ‚¢‹‚߂ɂȂ鏑Ð‚̉E’[‹ó—“‚Ƀ`ƒFƒbƒN‚ð“ü‚êi•¡”‰ÂjA‘ÐƒŠƒXƒg‚̉º‚É‚ ‚éw”ƒ‚¢•¨‚©‚²‚É“ü‚ê‚éxƒ{ƒ^ƒ“‚ð‰Ÿ‚·‚Æ”ƒ‚¢•¨‚©‚²‚É“ü‚è‚Ü‚·B
  • w”ƒ‚¢•¨‚©‚²‚É“ü‚ê‚éxƒ{ƒ^ƒ“‚𕡐”‰ñ‰Ÿ‚³‚È‚¢‚悤‚²’ˆÓ‰º‚³‚¢BƒŠƒXƒg‚̏‘Ð‚ÍŠî–{“I‚É1“_ŒÀ‚è‚Å‚·B
  • ‘ÐƒŠƒXƒg‚̉º‚É‚ ‚éw‚©‚²‚Ì’†‚ðŒ©‚é/‚²’•¶‚ցxƒ{ƒ^ƒ“‚ð‰Ÿ‚µ‚āAŽŸ‚̃y[ƒW‚Ö‚¨i‚Ý‚­‚¾‚³‚¢B