Œ¹Šì“°E“X“ªÝŒÉ–Ú˜^

  • ‚¨”ƒ‚¢‹‚߂ɂȂ鏑Ð‚̉E’[‹ó—“‚Ƀ`ƒFƒbƒN‚ð“ü‚êi•¡”‰ÂjA‘ÐƒŠƒXƒg‚̉º‚É‚ ‚éw”ƒ‚¢•¨‚©‚²‚É“ü‚ê‚éxƒ{ƒ^ƒ“‚ð‰Ÿ‚·‚Æ”ƒ‚¢•¨‚©‚²‚É“ü‚è‚Ü‚·B
  • w”ƒ‚¢•¨‚©‚²‚É“ü‚ê‚éxƒ{ƒ^ƒ“‚𕡐”‰ñ‰Ÿ‚³‚È‚¢‚悤‚²’ˆÓ‰º‚³‚¢BƒŠƒXƒg‚̏‘Ð‚ÍŠî–{“I‚É1“_ŒÀ‚è‚Å‚·B
  • ‘ÐƒŠƒXƒg‚̉º‚É‚ ‚éw‚©‚²‚Ì’†‚ðŒ©‚é/‚²’•¶‚ցxƒ{ƒ^ƒ“‚ð‰Ÿ‚µ‚āAŽŸ‚̃y[ƒW‚Ö‚¨i‚Ý‚­‚¾‚³‚¢B
¡ƒWƒƒƒ“ƒ‹•Ê•\Ž¦¡
¡ V“ü‰× ¡ “ú–{”üpi‹ß¢ˆÈ‘Oj ¡ “Œ—m”üp ¡ ‰æWi“ú–{j ¡ ”üp•]˜_E‘SW‘¼i“ú–{j ¡ •§‹³”üp ¡ ŽÊ^
¡ ’¤ ¡ •‚¢ŠGE”Å‰æ ¡ HŒ|EõDE’ƒ“¹E“©Œ| ¡ ‰æWi¼—mj ¡ ”üp•]˜_E‘SW‘¼i¼—mj ¡ ƒfƒUƒCƒ“EL ¡ Œš’z
¡ ‘“¹ ¡ ‰‰Œ€EŒÃ“TŒ|”\ ¡ —ðŽjE•—‘­ ¡ Žï–¡ ¡ ƒtƒ@ƒbƒVƒ‡ƒ“E•žü ¡ ŠG–{EƒCƒ‰ƒXƒg

¤•iŒŸõ

ŒŸõŒ‹‰Ê 1224 Œ [ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 ] [XV]


ƒy[ƒW 2 (51`100)

No. ¤•i–¼ ’P‰¿(‰~) ’˜ŽÒ/•ÒŽÒ o”ÅŽÐ à–¾ ‚©‚²‚Ö
N_I_013 ’†‘“©áI‘SW9@’è—q 4,500 ’†‘ãŠCl–¯”üpo”ÅŽÐ ”ü”T”ü ”Ÿ”wƒ„ƒP@ƒJƒo[@‰œ•t•Å‚ɏ‘ž‚Ý—L@1981 w“ü
N_I_014 ’†ìK•vì•iW@–‚‚ÌŽR 35,000 ’†ìK•v ‹—´“° ŠO”Ÿ­‰˜@”Ÿ@™‰YN•½/‘¢–{@2003 w“ü
N_I_015 “¡“c”üpŠÙ‚ÌŽŠ•ó@‘•ó—j•Ï“V–Ú’ƒ˜q‚Æ“ú–{‚Ì”ü 3,900 “¡“c”üpŠÙ‘¼/•Ò ƒTƒ“ƒgƒŠ[”üpŠÙ ‘уLƒŒ—L@ƒn[ƒhƒJƒo[235•Å@132•iŒfÚ@2015 w“ü
N_I_016 •À‰Í–õ”VŽµ•ó“W@–¾Ž¡Žµ•ó‚Ì—U˜f@“§–¾‚ȍ•‚ÌŠ´« 0 “Œ‹ž“s’뉀”üpŠÙ –ˆ“úV•·ŽÐ y”„Ø‚êz“W——‰ïƒJƒ^ƒƒO@ƒ\ƒtƒgƒJƒo[@2017 w“ü
N_I_017 •Êûu—ΐv11@Ž©Ý’u•¨ 0 Œ´“cˆê•q/’˜ ƒ}ƒŠƒA‘–[ y”„Ø‚êzƒn[ƒhƒJƒo[@2010 w“ü
N_J_001 ƒˆ[ƒƒbƒp‚̉Ɓ@‘S4Šª‘µ 0 @ u’kŽÐ y”„Ø‚êz4Šª”Ÿ“ü@ƒJƒo[@‘сi’A‚µ‘æ1ŠªŒ‡j@ƒZƒbƒg’艿15200‰~@2001 w“ü
N_J_002 ƒ‹ƒCƒXEƒoƒ‰ƒKƒ“@Ã‚©‚È‚éŠv–½ 3,500 @ “Œ‹ž“sŒ»‘ã”üpŠÙ ‘с@Federica Zanco ed., Luis Barragan The Quiet Revolution, Skira Editore, Milan, 2001 (English edition)‚Ì“ú–{Œê”Ł@2002 w“ü
N_J_003 ‰pjƒ}ƒ‹ƒZƒ‹EƒuƒƒCƒ„[@yMARCEL BREUER DESIGN AND ARCHITECTUREz 10,000 @ Vitra Design Museum ƒfƒUƒCƒ“‚ÆŒš’z@‘с@ƒn[ƒhƒJƒo[448•Å@}”Å‘½”@2003 w“ü
N_J_004 Œš’z‰Æ‚̖ځ@ƒAƒƒŠƒJ‚ÌŒš’z‰Æ71l‚̃XƒPƒbƒ`‚Ɛ}–ʁ@1799`1978 3,000 ƒfƒ{ƒ‰[Eƒlƒ”ƒBƒ“ƒY‘¼ Œ[Šwo”Å ƒJƒo[­ƒCƒ^ƒ~@1982 w“ü
N_J_005 V‘•”Ł@”Šñ‰®@Œš’z‚ƒ뉀 4,800 P¬ˆêŒPAˆÉ“¡‚Ä‚¢‚¶‘¼/’˜ –ˆ“úV•·ŽÐ “ñd”Ÿ@•\Ž†ƒVƒ~@’艿29000‰~@1985 w“ü
N_J_006 ”Šñ‰®Œš’zW¬@‘‡ì—áW@‘S‘•Ò 3,500 ’†‘º¹¶/ŠÄC ¬ŠwŠÙ “ñd”Ÿ@’艿38000‰~@1982 w“ü
N_J_007 ’ƒŽº 6,000 @ –ˆ“úV•·ŽÐ 2û“ñd”Ÿ“ü@—A‘—”Ÿ­ƒCƒ^ƒ~@’艿55000‰~@1978 w“ü
N_J_008 –¾Ž¡E‘吳‚Ì“@‘î@´…‘gì¬@ÊF}‚̐¢ŠE 9,800 Z‘‡Œ¤‹†à’c ”‘–[ ƒJƒo[”–ƒ„ƒPA­ƒLƒŒ@‘с@2009 w“ü
N_K_001 ART GALLERY ƒe[ƒ}‚ÅŒ©‚鐢ŠE‚Ì–¼‰æ2@Ñ‘œ‰æ@Žp‚Æ‚±‚±‚ë 3,400 ‘åûü•Û“ñ˜Y/•Ò W‰pŽÐ ƒJƒo[@‘с@2017 w“ü
N_K_002 ART GALLERY ƒe[ƒ}‚ÅŒ©‚鐢ŠE‚Ì–¼‰æ5@‚©‚®‚킵‚«–² 4,600 ’†–ì‹žŽq/•Ò W‰pŽÐ ƒJƒo[@‘с@2017 w“ü
N_K_003 ƒAƒ‹ƒ^ƒ~ƒ‰“´ŒA•Ç‰æ 5,600 ƒAƒ“ƒgƒjƒIEƒxƒ‹ƒgƒ‰ƒ“/ŠÄC Šâ”g‘“X ƒJƒo[­ƒCƒ^ƒ~A— –ʃVƒ~@‘æ2ü@2000 w“ü
N_K_004 ƒ”ƒ@ƒeƒBƒJƒ“ŠG‰æŠÙ 6,900 @ Šâ”g‘“X “ñd”Ÿ@’艿36000‰~@1995 w“ü
N_K_005 ƒhƒK@ƒpƒXƒeƒ‹‰æ 6,000 ƒW[ƒ“EƒTƒUƒ‰ƒ“ƒhEƒ{ƒbƒOƒY/ƒAƒ“EF.ƒ}ƒqƒ…[ ”üpo”ÅŽÐ ”Ÿ@ƒJƒo[@}”Å65“_@’艿15000‰~@1993 w“ü
N_K_006 ‰p)ƒEƒBƒŠƒAƒ€EƒpƒcƒBƒI[ƒc‰æW@yWilliam Baziotes. Paintings and Drawings, 1934-1962z 0 @ SKIRA y”„Ø‚êzƒJƒo[@ƒn[ƒhƒJƒo[133•Å@ƒJƒ‰[}”Å57“_A‚»‚Ì‘¼ŽQl}”Å‘½”@2004 w“ü
N_K_007 ‰pjƒGƒSƒ“EƒV[ƒŒ‘Sì•i@yEgon Schiele
The Complete Worksz
14,000 Jane Kallir HARRY N. ABRAMS ƒJƒo[”wƒ„ƒPAˆê•”ƒLƒŒ•âC—L@–{•¶—]”’E‰œ•t•Å‚ÆŽO•û‚ɃVƒ~@1990 w“ü
N_K_008 ‰p)ƒLƒ‹ƒqƒi[‰æW@yErnst Ludwig Kirchner
The Dresden and Berlin Yearsz
4,900 @ ROYAL ACADEMY OF ARTS ƒJƒo[@‰ðà•Å­ƒVƒ~@2003 w“ü
N_K_009 ‰p)ƒWƒ‡ƒAƒ“EƒXƒiƒCƒ_[‰æW@yjoan snyderz 4,800 @ HARRY N. ABRAMS ƒJƒo[@ƒn[ƒhƒJƒo[179•Å@2005 w“ü
N_K_010 ‰pjƒ{ƒCƒXì•iW@ƒ}ƒ‹ƒ`ƒvƒ‹ƒYyJOSEPH BEUYS THE MULTIPLESz 0 @ Edition Schellmann y”„Ø‚êzƒJƒo[@ƒn[ƒhƒJƒo[553•Å@ì•i557“_Aƒ|ƒXƒgƒJ[ƒhì•i68“_ŒfÚ@1997 w“ü
N_K_011 ‰pjƒ‰ƒXƒR[“´ŒA•Ç‰æyLASCAUX MOVEMENT, SPACE, AND TIMEz 12,000 NORBERT AUJOULAT ABRAMS ƒJƒo[@ƒn[ƒhƒJƒo[274•Å@ƒtƒ‹ƒJƒ‰[226}”Ł@2005 w“ü
N_K_012 ‰p•§jƒWƒƒƒ“ƒ~ƒVƒFƒ‹EƒoƒXƒLƒAì•iWyJean-Michel Basquiatz 39,000 @ Galerie Enrico Navarra 2ûƒP[ƒX“ü@ƒn[ƒhƒJƒo[407•Å/255•Å@30~25cm@ƒXƒŠƒbƒvƒP[ƒXA–{‘́A’Ô‚¶“™‚ÉŒo”N‚̃Cƒ^ƒ~A•âCÕAŽg—pŠ´—L‚èB¬Œû‚ɉ˜‚ê@1996 w“ü
N_K_013 “ú–{•ËŒ© 3,200 ƒˆƒFƒ‹ƒOEƒVƒ…ƒ}ƒCƒT[/’˜ “Ç”„V•·ŽÐ ƒJƒo[­ƒXƒŒ@1972 w“ü
N_K_014 •§jƒAƒŒƒVƒ“ƒXƒL[@…Ê‚ƃfƒbƒTƒ“@yALECHINSKY D'ENCRE ET D'EAU z 0 HUGO CLAUS YVES RIVIERE y”„Ø‚êzƒtƒ‹ƒJƒ‰[}”Å225“_@ŽO•û”–ƒ„ƒP@1995 w“ü
N_K_015 •§jƒAƒŒƒVƒ“ƒXƒL[@ü‚̊ԁ@yALECHINSKY ENTRE LES LIGNESz 9,800 @ YVES RIVIERE ƒtƒ‹ƒJƒ‰[124}”Ł@1996 w“ü
N_K_016 •§jƒ”ƒFƒ‹ƒ”@21-22†@“ÁWƒ}ƒ`ƒX@yVERVE Henri MATISSE 1944-1948 VOL.6, Nos 21ET22z 20,000 @ VERVE ƒJƒo[@1948 w“ü
N_K_017 •§jƒMƒ‡[ƒ€EƒRƒ‹ƒlƒCƒ†‰æW@yCORNEILLEz 18,000 @ EDITIONS DE LA DIFFERENCE ”Ÿ”–ƒ„ƒP@329•Å@1992 w“ü
N_K_018 •§jƒNƒŠƒXƒgƒtƒ@[EƒE[ƒ‹‰æW@yCHRISTOPHER WOOLz 9,800 @ IVAM Institut Valencia d'Art Modern Musees de Strasvourg ƒWƒƒƒPƒbƒg”w‚ɐ؂ê—L‚è@2006 w“ü
N_L_001 ƒtƒ@ƒ“EƒSƒbƒz‚̐¶ŠU@ãE‰ºƒZƒbƒg 9,600 ƒXƒeƒB[ƒ”ƒ“EƒlƒCƒtƒgƒOƒŒƒSƒŠ[EƒzƒƒCƒgEƒXƒ~ƒX/’˜ ‘‘Š§s‰ï ‹¤‚ɃJƒo[@‘Ñ•t@2016 w“ü
N_L_002 Œ|pE–³ˆÓŽ¯E”]@¸_‚̐[•£‚ցF¢‹I––ƒEƒB[ƒ“‚©‚猻‘ã‚Ü‚Å 5,600 ƒGƒŠƒbƒNEREƒJƒ“ƒfƒ‹ ‹ã‰ÄŽÐ ƒJƒo[@‘с@2017 w“ü
N_L_003 FÊ@‹NŒ¹/‘åŒn/‰ž—p 3,800 ƒnƒ‰ƒ‹ƒgEƒLƒ…ƒbƒp[ƒX/’˜ ”üpo”ÅŽÐ ”Ÿ­ƒVƒ~@ƒJƒo[@Œ©•Ô‚µ­ƒVƒ~@1975 w“ü
N_L_004 ¢ŠE”üp‘å‘SW@¼—m•Ò3@ƒG[ƒQŠC‚ƃMƒŠƒVƒAEƒAƒ‹ƒJƒCƒbƒN 4,000 —F•”’¼A…“c“O/•Ò ¬ŠwŠÙ ”Ÿ@ŒŽ•ñ•t@1997 w“ü
N_M_001 Michiko Kon ¡“¹Žq 4,800 ¡“¹Žq/’˜ Œõ—ԎЏo”Å ”ŸƒCƒ^ƒ~@1997 w“ü
N_M_002 off ‘æ1† 0 ¼‰ª³„/•¶ HìŽÉ y”„Ø‚êzƒP[ƒXƒCƒ^ƒ~@–{‘ÌŒo”N‚̃Vƒ~@1973 w“ü
N_M_003 ƒSƒŠƒ‰‚ðˆç‚Ä‚é 1,800 óˆä—ÍŽO/’˜@‘åÎF/ŽB‰e –ˆ“úV•·ŽÐ ƒJƒo[ƒCƒ^ƒ~A”w‘莚ƒ„ƒP@–{‘ÌŽO•ûƒ„ƒP@1967 w“ü
N_M_004 ƒtƒgƒ}ƒjƒNƒVƒEƒ‰ƒ“ƒhƒXƒP[ƒv@Œšš ‚ÌŒ´‘œ‚ð–₤ 11,000 ŽÊ^‰ÆW’cPhenomena …ºŽÐ ƒJƒo[@‘с@2017 w“ü
N_M_005 ‰pjƒ”ƒ@ƒŒƒŠ[EƒtƒBƒŠƒbƒvƒXŽÊ^W@ƒXƒgƒbƒv@ƒAƒXƒLƒ“ƒO@ƒ~[@ƒAƒoƒEƒg@ƒGƒCƒ~[@ƒAƒC@ƒIƒ“ƒŠ[@ƒXƒyƒ“ƒg@ƒƒ“@ƒfƒC@ƒEƒBƒY@ƒn[@yValerie Phillips
stop asking me about amy I only spent one day with herz
5,600 @ pogo books ƒrƒj[ƒ‹‘Ü•t@ƒiƒ“ƒoƒŠƒ“ƒO33/150@2013 w“ü
N_M_006 ‰pjƒ”ƒ@ƒŒƒŠ[EƒtƒBƒŠƒbƒvƒXŽÊ^W@ƒfƒBƒX@ƒCƒY@ƒ}ƒC@ƒhƒ‰ƒCƒo[ƒY@ƒ‰ƒCƒZƒ“ƒX@yValerie Phillips
this is my driver licensez
3,400 @ @ •\Ž†‚ɋɏ­‚̃Cƒ^ƒ~@2013 w“ü
N_M_007 ‰pj“n•ÓŽŒÈŽÊ^W@ƒƒbƒN@ƒpƒ“ƒN@ƒfƒBƒXƒR@yrock punk disco watanabe katsumiz 25,000 @ PPP ŒÀ’è300•”@2014 w“ü
N_M_008 ‰“–앨Œê 8,600 XŽR‘哹/’˜ ’©“úƒ\ƒmƒ‰ƒ} ƒJƒo[@1976 w“ü
N_M_009 ¡ˆä’qŒÈŽÊ^W@^’‹ 3,800 ¡ˆä’qŒÈ/’˜ ÂŒ¶ŽÉ ƒJƒo[@2001 w“ü
N_M_010 ŽR“à“¹—YŽÊ^W@HONG KONG@` 7,800 ŽR“à“¹—Y/’˜ ‘“âuŽÉ ƒ\ƒtƒgƒJƒo[@ƒyƒ“‘–¼“ü@1997 w“ü
N_M_011 ŽÊ^‹Z–@‚Æ•Û‘¶‚Ì’mŽ¯ 0 ƒxƒ‹ƒgƒ‰ƒ“Eƒ‰ƒ”ƒFƒgƒŠƒ“@ƒWƒƒƒ“ƒ|[ƒ‹EƒKƒ“ƒhƒ‹ƒtƒH@ƒVƒrƒ‹Eƒ‚ƒm[/’˜ ÂŒ¶ŽÉ y”„Ø‚êzƒJƒo[@‘с@2017 w“ü
N_M_012 ¬¼‚ЂƂݎʐ^W@‚Ý‚¿‚Ì‚­FŒê‚è 2,300 ¬¼‚Ð‚Æ‚Ý ƒNƒŒƒI ƒJƒo[@2017 w“ü
N_M_013 XŽR‘哹ŽÊ^W@hysteric no.8 OSAKA 45,000 @ HYSTERIC GLAMOUR ƒTƒCƒ““ü@•\Ž†ƒXƒŒA”wƒ„ƒPA­ƒCƒ^ƒ~@–{‘ÌŠp­˜c‚݁@“VEŒ©•Ô‚µE”à•ÅƒVƒ~@1997 w“ü
N_M_014 XŽR‘哹ŽÊ^W@Žëli•œ”Łj 98,000 XŽR‘哹/’˜ TAKA ISHII GALLERY ƒTƒCƒ““ü@ƒvƒŠƒ“ƒg•t@ŒÀ’è350•”@”wE¬Œû”–ƒ„ƒP@“VE‰œ•t•ÅƒVƒ~@1997 w“ü
N_M_015 ÎŒ³‘×”ŽŽÊ^W@ƒVƒJƒSAƒVƒJƒS‚»‚Ì2 0 @ ƒŠƒuƒƒ|[ƒg y”„Ø‚êzƒJƒo[ƒXƒŒAƒCƒ^ƒ~@1983 w“ü

¦ Á”ïÅ‚ÍŠÜ‚Ü‚ê‚Ä‚¢‚Ü‚·.


[‘O‚̉æ–Ê] [‚©‚²‚Ì’†‚ðŒ©‚é/‚²’•¶‚Ö] [ƒz[ƒ€ƒy[ƒW‚Ö–ß‚é]
ŒŸõŒ‹‰Ê 1224 Œ [ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 ] [XV]

  • ‚¨”ƒ‚¢‹‚߂ɂȂ鏑Ð‚̉E’[‹ó—“‚Ƀ`ƒFƒbƒN‚ð“ü‚êi•¡”‰ÂjA‘ÐƒŠƒXƒg‚̉º‚É‚ ‚éw”ƒ‚¢•¨‚©‚²‚É“ü‚ê‚éxƒ{ƒ^ƒ“‚ð‰Ÿ‚·‚Æ”ƒ‚¢•¨‚©‚²‚É“ü‚è‚Ü‚·B
  • w”ƒ‚¢•¨‚©‚²‚É“ü‚ê‚éxƒ{ƒ^ƒ“‚𕡐”‰ñ‰Ÿ‚³‚È‚¢‚悤‚²’ˆÓ‰º‚³‚¢BƒŠƒXƒg‚̏‘Ð‚ÍŠî–{“I‚É1“_ŒÀ‚è‚Å‚·B
  • ‘ÐƒŠƒXƒg‚̉º‚É‚ ‚éw‚©‚²‚Ì’†‚ðŒ©‚é/‚²’•¶‚ցxƒ{ƒ^ƒ“‚ð‰Ÿ‚µ‚āAŽŸ‚̃y[ƒW‚Ö‚¨i‚Ý‚­‚¾‚³‚¢B